How to Make A Support Mount for a Bowl

How to Make A Support Mount for a Bowl
Hi Gang,
We can across this nice article (May 9, 2016) about making a support mount for a bowl that we thought you’d be interested in reading. Mount Making Focus is a nice resource. The lessons could be widely applied to various bowl materials and eras. What do you think? Do you have a slightly different method you’d care to share, please include your own (with pictures) down below or write an original article by clicking on a “Trade Yours” link.
Pre-Columbian Bowl Mount
It’s been many years since I made this mount, but it remains one of the most spatially interesting and sculptural pieces I’ve ever built. The bowl was a beautiful piece of Pre-Columbian ceramic, (probably Moche) although I do not know the exact region or age. As I recall, it was in reasonable condition for its age but had enough cracking and weakness in the wide rim that it needed a great deal of support to be displayed in the desired vertical orientation. Besides trying to make the display visually exciting, I was also working to help it survive future seismic events in its Pacific Northwest home.

MayanBowl2Using strips of mat board as a templating material, I laid out the fair curves of the proposed mount along the strongest parts of the object. Finding the best locations for support defines the 3D relationships of the various pieces. As the design took shape, I taped the pieces together to give a feel of the final mount. At some point, I felt I had enough information to start bending annealed brass stock and fitting it directly to the curves of the object. This is where the value of the mat board templating became apparent. Through using it, I was able to determine a path for each piece of metal that was a simple curve. There is no twisting in any of the main structural elements. If twists are introduced into the geometry of the mount, the complexity of the spatial relationships vastly increases, and the ability to maintain alignment with the object becomes much more difficult.

Bowl3Once the curves were established, the connecting pieces were fitted and joining begun. At each step of the way, the padded framework was returned to the object to confirm fit, and to mark the lengths and angles of the next additions. Soon the hanging structure was fabricated and small triangulating strut added to counteract any sagging by the support web.

When completed, the bowl slipped into the padded mount with a feeling of great security and support. To ensure that position, a fine cable was looped over the bowl at the junction of the flare and the base, and secured with a #4-40 screw in a tapped hole. With this final security measure, the mounted bowl was both beautiful, and prepared to withstand a seismic event. On February 28th 2001, that test was given by the 6.8 magnitude Nisqually earthquake. This bowl, and all other pieces that had been mounted, came through with no damage. Whew…

Matt Isble

I have more than seventeen years of professional development in the area of exhibit design and installation, working for a variety of institutions and private clientele from Carmel California to Portland Oregon. I received my masters degree in Museum Studies with an emphasis in education and interpretation from John F. Kennedy University. In my current capacity at the Crocker Art Museum I direct the exhibition design and work with both the curatorial and education departments to create engaging museum experiences for visitors. Specialties include: Exhibition design, project management, chief preparator, lighting design, volunteer coordination, and facilities management.



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