Mounts & Care – CustomCat1 https://museumtrade.org/customcat Gear & Guides, So you get it done, Beautifully Wed, 01 Mar 2023 00:21:13 +0000 en-US hourly 1 https://wordpress.org/?v=6.0.7 https://museumtrade.org/customcat/wp-content/uploads/2018/02/cropped-Final_logo_512x512-32x32.png Mounts & Care – CustomCat1 https://museumtrade.org/customcat 32 32 84532699 Ever-Growing List of Awesome Books for Museum Handlers, Designers, Technicians, and Preparators https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/ https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/#respond Wed, 01 Mar 2023 00:20:17 +0000 https://museumtrade.org/customcat/?p=15625
Hi Everyone,

 

MuseumTrade.org is committed to compiling all the tips, tricks, successes, and yes, failures from museum pros into one searchable database. But sometimes the answers just lie in a good book. A book that niches down hard and pulls out each detail. Books are a nice reference especially when you need to highlight or dogear a favorite section for later use in storage or in the gallery, or to share with your colleagues.

 

Like you these practitioners poured their blood and sweat into thier work so you and I could get that much better at our jobs. Sometimes it’s a section on how to work smarter not harder, other times it’s a nuanced technique, other times it’s what NOT to do; these practical books are here to help. I’ve compiled a really excellent list of books for museum pros like you and me. Here are the books we have or are going to order. I did a deep-dive in researching these books, I thought I’d help the MT community by compiling a description of each of them from the perspective of a museum pro. This list will grow over the years and is thus presented in no particular order. As these books come in and we get through them, I’lll make updates here as well.

 

Making the case: A great way to increase your knowledge and expertise is to ask your institution to make this purchase for you. Many places have a staff development fund that generally goes to conference trips, workshops, or webinars. But a book purchase fits neatly into this bucket as well. Often there will be a small pot of money at the end of the fiscal year that goes unused, sadly. You can help out by applying for those funds to buy one of these books. Good luck.

 

Did I miss a crucial book?! Please let me know via the comment below or DM me: matt@museumtrade.org Here we go….

 

Each book will have an Amazon link for your convenience. It costs you nothing to click through but will kick back a small commission that will help MuseumTrade’s mission. Thanks!

 

 

1.) The Preparator’s Handbook: A Practical Guide for Preparing and Installing Collection Objects

by Andrew Saluti

I actually just ordered The Preparator’s Handbook: A Practical Guide for Preparing and Installing Collection Objects by Andrew Saluti, and I have to say, it looks really practical. We all know that preparing and installing collection objects can be a real challenge, but this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of collection objects, including paintings, sculptures, and historical artifacts. Saluti then goes on to outline the various steps involved in preparing and installing these objects, from assessment and conservation to transportation and installation.

The chapters play out like this:

  • Introduction
  • The Preparator’s Workspace
  • Tools and Materials
  • Object Handling
  • Object Preparation
  • Object Mounting
  • Installation Design
  • Installation Preparation
  • Installation Techniques
  • Project Management
  • Conclusion
  • Appendix A: Metric Conversion Tables
  • Appendix B: Suppliers
  • Bibliography
  • Index

It’s a comprehensive guide to the practical skills and techniques needed to prepare and install collection objects in museums, galleries, and other exhibition spaces.

The book is aimed at handlers, preparators, technicians, and other professionals who work with collection objects, but it can also be useful for students and anyone interested in the technical aspects of museum work.

Some highlights of the book include:

  • The emphasis on hands-on, practical skills, with step-by-step instructions and detailed illustrations to help readers master techniques such as packing, handling, and installation.
  • The coverage of a wide range of materials and object types, including paintings, sculptures, textiles, and more, as well as electronic media and other digital objects.
  • The focus on safety and risk management, with advice on how to identify and manage potential hazards and minimize risk.
  • The emphasis on collaboration and teamwork, with guidance on how to work effectively with curators, designers, and other stakeholders.
  • The discussion of new technologies and techniques, such as 3D printing and augmented reality, and their implications for exhibition design and object preparation.

Overall, “The Preparator’s Handbook” looks to be a valuable resource for anyone involved in the preparation and installation of collection objects. It provides practical advice and guidance on a wide range of topics, and is sure to be a useful reference for anyone working in the museum field.

I suspect I’ll gleam a solid handful of worthwhile tips and tricks. I’m always looking to tune up my mount making skills and I think the newer crew could benefit from reading about the pre and handling details we’ve been teaching them in the gallery. Sometimes it can be easier to digest new info when you don’t have art on the line and deadlines to meet.

I can’t wait to get my hands on “The Preparator’s Handbook” and I think it’ll be an excellent addition for anyone who works in the museum field, especially those involved in preparing and installing collection objects. Whether you’re a seasoned pro or just starting out, this book looks to be packed with practical advice and helpful tips that will help you tackle your next project with confidence.

 

2.) Collection Conundrums: Solving Collections Management Mysteries

by Rebecca A. Buck

Another book we just ordered is Collection Conundrums: Solving Collections Management Mysteries by Rebecca A. Buck.  This book is right up our alley, it provides practical solutions to some of the biggest challenges we face in collections management. We’re doing a major collections move later this year. I thought it best to tackle this book BEFORE we come across a collection conundrum so we have a plan of attack when or if we do. Let’s be real, it’s WHEN we come across a conundrum. With 140+ years of collecting here at the Crocker, there’s bound to be an anomaly in here somewhere.

The book is divided into chapters that address various conundrums, from storage and preservation to access and security. Buck provides a comprehensive overview of each issue and then offers practical solutions and best practices that can be applied in a museum setting. The real-world examples and case studies used throughout the book will help us better understand the concepts and how they could be applied in our own work.

The chapters layout like this:

  • Introduction
  • Solving Collection Conundrums
  • Preventing Conundrums
  • Working with a Collection
  • Collections Policies
  • Acquiring Objects for a Collection
  • Describing and Documenting Objects
  • Caring for Objects in a Collection
  • Storing and Housing Collections
  • Displaying Objects in a Collection
  • Accessing Collections
  • Legal and Ethical Considerations
  • Conclusion
  • Appendix A: Resources for Collections Management
  • Appendix B: Sample Collections Management Forms and Documents
  • Glossary
  • Bibliography
  • Index

This book is a practical guide to solving the many challenges that arise in managing museum collections, from identifying unknown objects to dealing with deteriorating materials. It’s aimed at collections managers, art handlers, and other professionals who work with museum collections, but it can also be a useful resource for students and anyone interested in the behind-the-scenes work of museums.

The book is organized into chapters that cover different types of collection conundrums, such as identifying and dating objects, dealing with pests and mold, and managing electronic media. Each chapter presents a case study that illustrates the problem, and then provides step-by-step guidance on how to solve it.

Some highlights of the book include:

  • The emphasis on a practical, hands-on approach to problem-solving, with clear and concise instructions on how to tackle specific challenges.
  • The use of real-life case studies to illustrate common problems and solutions, which makes the book engaging and relevant.
  • The focus on collaboration and teamwork, with advice on how to work effectively with colleagues, contractors, and other stakeholders.
  • The emphasis on preventive conservation, with tips on how to identify and address potential problems before they become serious.

Overall, “Collection Conundrums” looks to be a valuable resource for anyone involved in managing museum collections. It provides practical advice and solutions to a wide range of problems, and is sure to be a useful reference for years to come.

 

3.) Fine Art Movement and Storage: Project Management for the Visual Arts

by Chuck Agro

Yet another book we just ordered, but hasn’t yet arrived, Fine Art Movement and Storage: Project Management for the Visual Arts by Chuck Agro. I suspect that our upcoming MAJOR collections move will benefit from this book, but I suspect the learnings will be applicable to anyone with any sized collection. All of us are always moving and rehousing, am I right? I suspect we’ll find a wealth of information and insights on how to better manage fine art movement and storage projects.

The book starts by outlining the key principles of project management and then goes on to apply these principles specifically to the world of fine art. Agro covers everything from planning and preparation to execution and follow-up, providing step-by-step guidance on how to successfully manage a fine art movement or storage project.

The chapters layout like this:

  • Introduction
  • Overview of the Visual Arts Industry
  • Moving and Storing Fine Art
  • Project Management in the Visual Arts
  • Pre-Project Planning
  • Project Implementation
  • Installation and De-Installation
  • On-Site Project Management
  • Best Practices in the Visual Arts
  • Safety and Security in the Visual Arts
  • Insurance and Liability
  • Conclusion
  • Appendix A: Sample Forms and Checklists
  • Appendix B: Resources for the Visual Arts
  • Glossary
  • Bibliography
  • Index

One of the things this book covers is the emphasis on risk management. Agro provides a detailed overview of the various risks associated with fine art movement and storage, from damage and theft to environmental factors and transportation issues. He then goes on to provide practical solutions for mitigating these risks, this will be extremely helpful.

The book is designed to help museums, galleries, and other organizations that handle fine art collections to plan and execute movement and storage projects effectively, efficiently, and safely.

The book covers a wide range of topics related to the movement and storage of fine art, including project planning, risk assessment, packing and handling techniques, transportation, storage, and environmental management.

Some highlights of the book include:

  • The emphasis on project management, with detailed guidance on how to plan and execute fine art movement and storage projects effectively.
  • The focus on risk management, with advice on how to identify and manage potential hazards, and minimize the risk of damage to valuable artworks.
  • The coverage of a wide range of topics, including packing and handling techniques, transportation, storage, and environmental management.
  • The use of real-life case studies and examples to illustrate key points and provide practical guidance.
  • The emphasis on collaboration and teamwork, with advice on how to work effectively with other professionals involved in fine art movement and storage projects.

Overall, “Fine Art Movement and Storage” is a valuable resource for anyone involved in the management of fine art collections. It provides practical advice and guidance on a wide range of topics related to movement and storage, and is sure to be a useful reference for anyone working in the museum field.

 

4.) Managing Previously Unmanaged Collections: A Practical Guide for Museums

by Angela Kipp

Hey there! So I just finished reading “Managing Previously Unmanaged Collections: A Practical Guide for Museums” by Angela Kipp, and I have to say, it was a real lifesaver. As someone who works in a museum, I can attest to the fact that managing previously unmanaged collections can be a real challenge. But this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of previously unmanaged collections, including private collections, archives, and historical societies. Kipp then goes on to outline the various steps involved in managing these collections, from assessment and cataloging to preservation and access.

Here’s how the chapters shake out:

  • Introduction
  • Understanding Previously Unmanaged Collections
  • Creating an Inventory of the Collection
  • Assessing the Condition of the Collection
  • Developing a Collections Management Policy
  • Accessioning New Objects
  • Object Cataloging and Documentation
  • Collection Storage and Handling
  • Collection Care and Preservation
  • Access to the Collection
  • Deaccessioning Objects
  • Legal and Ethical Considerations
  • Collection Emergency Planning and Disaster Response
  • Conclusion
  • Appendix A: Sample Forms and Documents
  • Appendix B: Resources for Collections Management
  • Glossary
  • Bibliography
  • Index

This feels like a guidebook that aims to help museums and cultural institutions that have acquired collections that have not been previously managed or cataloged.

The book covers a wide range of topics related to managing collections, including collection assessment, cataloging, preservation, conservation, digitization, storage, and documentation.

Some highlights of the book include:

  • The emphasis on the importance of assessing and prioritizing collections, and developing a strategic plan for managing them.
  • The practical advice on how to conduct a collection inventory, and how to develop a cataloging system that meets the needs of the museum and its users.
  • The coverage of best practices for preserving and conserving collections, including guidance on environmental controls, storage materials, and pest management.
  • The focus on the importance of documentation, and the advice on how to create and maintain accurate and up-to-date records.
  • The guidance on how to develop a digitization plan, and the benefits of making collections accessible online.

Overall, “Managing Previously Unmanaged Collections” is a useful resource for museums and cultural institutions that are starting to manage collections that have not been previously managed or cataloged. It provides practical advice and guidance on a wide range of topics related to collection management, and is sure to be a valuable reference for museum professionals.

 

 

5.) Art Can Kill

by Bryan L Cooke

Hey there! I recently read the book “Art Can Kill” by Bryan L Cooke and I must say, it was quite a ride. As someone who works in a museum, I found it particularly relevant to my line of work.

The book is a mystery thriller that revolves around a series of murders at a museum. The main character, Adam, who is a curator at the museum, finds himself caught in the middle of the investigation and is forced to use his expertise in art history to uncover the truth behind the murders.

The chapters break down like this:

  • Introduction: Moving Art
  • Art Can Kill
  • Education
  • Cart & Crate
  • A servant Must Never Forget His Place
  • Saves and Near Misses: Staying Alive in the Art Biz
  • Dogs
  • Movie Stars, Moguls, and Hollywood Types
  • Cowboys
  • Earthquakes and Petty Tyrants
  • Raids, Reparations, and Shady Dealings
  • Thefts
  • Sharks and Hustlers
  • Endings

What I appreciated most about this book is how it highlighted the often-overlooked dangers that come with working in the art world. From the handling of priceless artworks to the politics and egos that exist within museums, “Art Can Kill” gave me a new appreciation for the challenges we face on a daily basis.

Cooke does an excellent job of weaving together art history, mystery, and thriller elements to create a fast-paced and engaging story. It was a real page-turner for me, as I was constantly trying to solve the mystery along with the main character.

Overall, I would definitely recommend “Art Can Kill” to anyone who works in the art or museum world. It’s a fun and entertaining read that provides a unique perspective on the challenges we face and the sacrifices we make in the pursuit of preserving art and culture.

 

 

6.) Collection Care

by Brent Powell

Hey there! So I just finished reading “Collection Care” by Brent Powell, and I have to say, it was a real game-changer. As someone who works in a museum, I know that taking care of collections can be a real challenge, but this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of collection materials, including paintings, sculptures, and historical artifacts. Powell then goes on to outline the various steps involved in caring for these materials, from assessment and conservation to storage and transportation.

Here’s what the chapters look like:

  • Introduction
  • Agents of Deterioration
  • Monitoring Environmental Conditions
  • Preventive Conservation Strategies
  • Emergency Preparedness
  • Handling, Packing, and Shipping Collections
  • Condition Reporting and Documentation
  • Integrated Pest Management
  • Collection Cleaning and Maintenance
  • Conservation Treatments
  • Display and Exhibition
  • Digital Preservation
  • Legal and Ethical Considerations
  • Conclusion
  • Appendix A: Glossary
  • Appendix B: Resources
  • Index

One of the things I appreciated most about this book was the emphasis on preventative care. Powell provides a detailed overview of the various factors that can impact the condition of collection materials, from environmental factors like temperature and humidity to the handling and use of the objects. He also provides practical advice on how to minimize the risks associated with these factors to ensure the long-term preservation of the collections.

Some highlights of the book include:

  • The importance of preventative conservation, which involves taking steps to prevent damage to objects before it occurs. This includes maintaining appropriate environmental conditions, using proper storage materials, and carefully handling objects during transport and exhibition.
  • The various types of damage that can occur to museum objects, including physical damage, chemical damage, and biological damage, and how to prevent and address each type.
  • The use of technology in collection care, including monitoring systems that track environmental conditions, and software programs that aid in object tracking and management.
  • The importance of collaboration between different museum departments, including curators, conservators, and collections managers, in order to ensure the best possible care for museum objects.
  • The challenges of balancing collection care with the need to make objects accessible to the public, and how to find a balance between these two priorities.

Overall, “Collection Care” is a valuable resource for museum professionals looking to improve their knowledge and practices related to the care and management of collections. The book provides practical advice on a range of topics and emphasizes the importance of preventative conservation and collaboration between museum departments.

 

 

7.) Manual of Digital Museum Planning

by Ali Hossaini 

Hey there! So I just finished reading “Manual of Digital Museum Planning” by Ali Hossaini and Ngaire Blankenberg, and I have to say, it was an absolute must-read for anyone working in a museum today. As someone who works in the field, I know that digital technology is rapidly changing the way museums operate, and this book provides a wealth of practical advice and tips to help museums make the most of these new opportunities.

The book starts by outlining the different types of digital technology that are available to museums, including website design, digital collections management, and interactive exhibits. Hossaini and Blankenberg then go on to provide a step-by-step guide to the process of planning and implementing digital projects in a museum, from developing a project plan and budget to assessing the impact of the technology on visitors and the museum’s operations.

The chapters for this book are:

  • Introduction
  • Digital Museum Planning Overview
  • Planning for Digital Strategy
  • Digital Project Management
  • Audience Engagement and Interpretation
  • Collection Management Systems
  • Digital Asset Management
  • Digital Media Production
  • Online Collections and Exhibitions
  • Digital Interactives and Gaming
  • Social Media and Marketing
  • Metrics and Evaluation
  • Digital Preservation
  • Legal and Ethical Issues
  • Conclusion
  • Appendix A: Sample Project Charter
  • Appendix B: Sample Project Plan
  • Appendix C: Museum Digital Resources
  • Glossary
  • Bibliography
  • Index

One of the things I appreciated most about this book was the emphasis on accessibility and inclusiveness. Hossaini and Blankenberg stress the importance of considering the needs of all visitors, including those with disabilities, when planning digital projects. They also provide practical advice on how to ensure that digital technologies are accessible and usable for everyone, regardless of their abilities.

Another aspect of the book that I found particularly valuable was the focus on sustainability and the long-term impact of digital projects. Hossaini and Blankenberg emphasize the importance of considering the life cycle of digital projects, from planning and implementation to maintenance and eventual retirement, to ensure that the museum is making the best use of its resources.

Some highlights of the book include:

  • An overview of the history and development of digital technologies in museums, including examples of successful digital projects from around the world.
  • A step-by-step guide to developing a digital strategy for a museum, including how to set goals, engage stakeholders, and evaluate success.
  • Detailed information on a range of digital technologies and their uses in museums, including mobile apps, virtual and augmented reality, social media, and digital collections.
  • Case studies of museums that have successfully implemented digital technologies, including the Smithsonian Institution, the British Museum, and the Art Institute of Chicago.
  • Considerations for accessibility, including how to design digital experiences that are inclusive and accessible to all visitors.

Overall, “Manual of Digital Museum Planning” is a valuable resource for museum professionals looking to integrate digital technologies into their institutions. The book provides practical advice and case studies to help museums create engaging, inclusive, and innovative experiences for their visitors.

 

8.) Light for Art’s Sake

by Christopher Cuttle

Hey there! So I just finished reading “Light for Art’s Sake” by Christopher Cuttle, and I have to say, it was an absolute eye-opener for anyone working in a museum. As someone who works in the field, I know that lighting is one of the most important factors in showcasing art and preserving collections, and this book provides a wealth of practical advice and tips on how to get it right.

The book starts by exploring the fundamental principles of lighting design, from color rendering and luminance to the relationship between light and shadow. Cuttle then goes on to outline the different types of lighting systems that are available, including LED, halogen, and fluorescent and provides a comprehensive overview of the pros and cons of each.

Here are the chapter headings:

  • Introduction
  • The Effect of Light on Art
  • Human Vision and Light Perception
  • Light Sources
  • Luminaires
  • Lighting Design Principles
  • Lighting Art for Display
  • Display Case Lighting
  • Outdoor Lighting for Art
  • Lighting for Museums and Galleries
  • Energy Efficiency in Art Lighting
  • Lighting Controls
  • Measuring and Testing Light
  • Conclusion
  • Appendix A: Glossary of Lighting Terms
  • Appendix B: Commonly Used Light Sources
  • Appendix C: Lighting Manufacturers
  • Appendix D: Museums and Galleries with Lighting-Related Websites
  • Bibliography
  • Index

One of the things I appreciated most about this book was the emphasis on considering the needs of the art and the visitors when designing a lighting system. Cuttle stresses the importance of taking into account the type of art being displayed, the size and shape of the gallery space, and the needs of visitors, including those with disabilities, when planning a lighting system.

Another aspect of the book that I found particularly valuable was the focus on energy efficiency and sustainability. Cuttle highlights the importance of choosing energy-efficient lighting systems to reduce the museum’s carbon footprint and ensure that the lights are turned off when not needed, to conserve energy.

Some highlights of the book include:

  • An overview of the fundamental principles of lighting design, including the importance of color temperature, color rendering, and light levels.
  • Guidance on how to design lighting schemes that are appropriate for different types of art, including paintings, sculpture, and textiles.
  • An exploration of the relationship between lighting and perception, including how lighting can be used to enhance the viewer’s experience of art.
  • Case studies of museums and galleries that have successfully implemented innovative lighting schemes, including the Louvre in Paris and the Guggenheim Museum in New York.
  • A discussion of the latest developments in lighting technology, including LED lighting and the use of advanced computer modeling to design lighting schemes.

Overall, I would highly recommend “Light for Art’s Sake” to anyone who works in a museum or is involved in lighting design in the museum field. Whether you’re a seasoned pro or just starting out, this book is packed with practical advice and helpful tips that will help you design a lighting system that showcases the art in the best possible way and protects the collections for future generations.

 

9.) Closed on Mondays: Behind the Scenes at the Museum

by Dinah Casson

Hey there! So I just finished reading “Closed on Mondays: Behind the Scenes at the Museum” by Dinah Casson, and I have to say, it was an absolute must-read for anyone who works in a museum. As someone who works in the field, I know that there’s a lot that goes into running a museum that the public never sees, and this book provides a fascinating behind-the-scenes look at what really happens when the doors are closed.

The book starts by introducing the reader to the different types of museums and the various departments that make them run, from curatorial to visitor services and everything in between. Casson then goes on to provide a detailed look at what goes into the day-to-day operations of a museum, from managing collections and exhibitions to dealing with visitors and managing the finances.

With this one the chapters are:

  • Introduction
  • The Museum World
  • The Building Blocks
  • The Staff
  • The Visitor
  • Designing Exhibitions
  • Designing Learning Spaces
  • Digital Technology
  • Planning and Managing Projects
  • Building Maintenance
  • Cleaning and Conservation
  • Access and Inclusion
  • Making Money
  • Measuring Success
  • Conclusion
  • Appendix A: Museums with Online Collections
  • Appendix B: Further Reading
  • Glossary
  • Index

One of the things I appreciated most about this book was the emphasis on the importance of teamwork in running a museum. Casson stresses the importance of working together as a team, from the curators to the security guards, to ensure that the museum runs smoothly and provides the best possible experience for visitors.

Another aspect of the book that I found particularly valuable was the focus on the challenges that museums face, from budget cuts and staffing issues to the pressures of keeping up with changing technology and visitor expectations. Casson provides practical advice and tips on how museums can overcome these challenges and continue to provide a high-quality visitor experience.

Some highlights of the book include:

  • An exploration of the day-to-day workings of a museum, including the planning and execution of exhibitions, the management of collections, and the development of educational programs.
  • Insights into the challenges and opportunities facing museums in the 21st century, including the need to engage with diverse audiences, embrace digital technologies, and balance the demands of preserving cultural heritage with the desire to innovate and experiment.
  • Case studies of museums around the world that have successfully addressed these challenges, including the Tate Modern in London, the National Museum of African American History and Culture in Washington D.C., and the Palace Museum in Beijing.
  • Interviews with museum professionals, including curators, educators, conservators, and administrators, who share their perspectives on the joys and frustrations of working in the museum world.

Overall, I would highly recommend “Closed on Mondays: Behind the Scenes at the Museum” to anyone who works in a museum or is interested in the inner workings of museums. Whether you’re a seasoned pro or just starting out, this book provides an insightful and engaging look at what it takes to run a museum and is sure to be an enjoyable and enlightening read.

]]> https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/feed/ 0 15625 Art Preparator & Art Handler Training Video: Succinct and Useful https://museumtrade.org/customcat/art-preparator-art-handler-training-video-succinct-and-useful/ https://museumtrade.org/customcat/art-preparator-art-handler-training-video-succinct-and-useful/#respond Mon, 13 Sep 2021 18:41:38 +0000 https://museumtrade.org/customcat/?p=12584 Hi Museum Trade Folk,

The Western Australian Museum put this video together and wow did they pack a ton into 5 minutes and 25 seconds. It certainly does not cover everything, but if you have new team member this would jump start their training. There is of course a ton that goes into being a museum professional (art handler, art preparator, museum technician, etc) and no one video can house it all. Slowly buy surely we’ll get every last detail here on MuseumTrade because that’s what being in a trade is all about, learning on the job and learning through self study – from apprentice to journeyman and so on.

Do you have a video you love or rely on, send it my way so I can categorize it for future generations.

Covered in the video:

• Glove options – pros and cons

• Handling Techniques & Mechanics

• Dangers

• Route planning

• Placing items

• Communication

• 2D & 3D handling

• Stacking

• …and don’t forget to look for loose items or parts!

 

 

If you can’t use volume right now, here is the transcript:

In this video, I’m going to talk to you about how to safely handle objects in your collection. Poor handling technique causes far more damage to Museum objects than any other factor. For this reason, it is important that handling is kept to a minimum that everyone is aware of correct handling procedures. Firstly, the oil from your skin contains acids and salts that can create permanent staining. This damage may not be apparent right away.

It’s therefore really important to wear gloves when handling objects. White cotton gloves are commonly used as they can be washed and reused. It is a good idea to have a special container for use gloves so that I kept separate from clean gloves. I prefer to use Nitro gloves for object handling. Use powder free gloves to avoid transferring powder to your collection and make sure that they fit well so that you can feel the objects you are touching.

This option works particularly well for slippery items such as a large bars, friable items such as bath paintings, rough surfaces such as corroded, iron or splinted, wood, and delicate items such as paper or textiles. While wearing gloves protects the objects you handle. It’s also important to be aware of safety issues when handling Museum objects. Always ask for assistance when moving a heavy or large item as this is the safest for both your back and for the object. If possible, use trolleys or dollies to help safely move heavy items and as the last thing you want to do is drop them.

Some Museum objects can also be toxic or dangerous. This includes items affected with mold, items made from lead or radioactive material, live ammunition, leaking wet specimens, containers filled with all medicines or pesticides and natural history specimens. As older items were often treated with toxic preservatives such as arsenic, these items may require additional productive equipment or specific advice, particularly for large objects. Know your route and plan before you move. Do you need any additional assistance and you may need someone to walk with you to open doors or spot.

Does the object have any weak points? Are there any detachable components that should be removed or secured? Is it support trolley or box required? Asking these questions can make the difference between safe transport and a broken object. It’s good practice to prepare a place for the object to go before moving it.

Remember to remove or cover any July buckles, watches, lanyards, or pens that may cause damage to the object. It may seem like common knowledge, but take care not to knock others over when removing shelved items. It may be necessary to remove some objects in order to safely access the one you want to move. Always use both hands when lifting the object. Depending on the size and shape.

You can often use one hand to support the objects on below or using the other to study it. Always handle objects by the strongest point. Do not rely on handles or other attachments, as these features may no longer be properly affixed. Also, try to move only one object at a time unless they are all secured in a box or a trolley. When you’re packing or moving objects.

Support should always be used for fragile items that cannot support their own weight. If you are placing items in a box or a support, consider the safest orientation. To prevent the item from toppling or rolling, you may need to use cushions or foam blocks to prevent movement or to separate multiple items. Always move slowly and carefully when carrying objects and when working with others. Verbally discuss your actions before and during the move.

Large items such as furniture should always be listed, never pushed or dragged directly on the floor. Make sure to secure. Remove any loose components such as drawers before lifting and never pick up chairs by their arm. Rest till back. When using a trolley to move large furniture or large items, they should generally be placed on their normal orientation and not rested on their sides or corners, which can cause damage to the joints.

Documents and works on paper should be lifted carefully and then place on a support or in a folder to move them. For paintings, it is safest to move them vertically. Use two hands, one at the bottom and one other side. Do not hold the work from the top of the frame or by its decorative elements. Avoid touching the back of the canvas as this can cause serious damage to the painting if the reverse of the painting has a secure handling strap, these can also be used if you’re handling a small painting by yourself, face the painting towards you.

For larger works that require two people to carry it, the work should face outwards. If placing a painting on the floor, place pads or blocks underneath it, they should be high enough to prevent any decorative elements from touching the floor. A piece of polyethylene foam or a piece of card to separate the work from the wall can be handy. If you are required to stack several paintings, they should be placed face to face, back to back at the end of the day. Making sure you handle your collection correctly will help you keep your collection well organized and limit the chance of your items accidentally getting damaged, especially when handling or sessioning fragile items.

It pays to be confident in your abilities, something that can help steady. Shake your hands. Thanks for listening.

 

]]> https://museumtrade.org/customcat/art-preparator-art-handler-training-video-succinct-and-useful/feed/ 0 12584 How-To: Resources for Basket Mounts https://museumtrade.org/customcat/how-to-resources-for-basket-mounts/ https://museumtrade.org/customcat/how-to-resources-for-basket-mounts/#respond Wed, 16 Sep 2020 18:45:23 +0000 https://museumtrade.org/customcat/?p=10502&preview=true&preview_id=10502

Historic baskets are both highly functional and highly artistic creations. They show incredible skill by the weaver, but they also tell us about larger community life. Baskets illuminate stories about the connections between peoples, as well as between people and their environments. Because of this tangible connection to daily life, baskets were one of the most commonly collected types of objects for museums during the 19th and 20th centuries.

We have all likely seen some examples of basketry in storage, or have some perception of the care that goes into basketry preservation. For most of my professional life in museums I have been captivated by these collections, and for my culminating project as a Museum Studies master’s student at the University of Colorado. I focused on a three part preservation model for basketry collections: information, materials, and access. The project was designed to be an accessible preservation “manual” full of tools for museum professionals. It contained numerous case studies, a sample storage assessment, mount building guides, an academic research paper, and an example of a basketry exhibit.

The tools I have found to be most helpful to others in the years since I worked on this project are the mount building guides and an accompanying series of how-to videos I made to show the process of making storage mounts for different baskets. I felt these would be a great resource to share with this community as well. While storage mount building is ultimately about preserving museum collections, it also involves a great deal of creativity and problem-solving skills. Creating these visual resources to help those just starting out gain familiarity with different methods to use and the types of mounts you can build has proven to be pretty successful.

The following videos were created back in 2016 for an audience of students and other museum professionals. Each video includes at the beginning a list of supplies you would need for the mount, followed by a recording of my process, and then a snapshot of the completed mount at the end. Along with these videos I made a series of PDF guides detailing my process for different mounts in a step-by-step way, with lots of pictures (you can see me pausing to take these pictures during the videos actually). I presented on this project at the conferences for the California Association of Museums and the Colorado-Wyoming Association of Museums in 2016. In both cases I got great feedback from attendees that they were always looking for more visual, step-by-step mount building resources – so I hope these will continue to prove useful!

How to Build a Storage Mount Using Side Supports:

 

How to Build a Storage Mount for a Conical Bottom:

How to Build a Storage Mount for a Basketry Bowl:

How to Build a Storage Mount for a Basketry Hat (Part I):

How to Build a Storage Mount for a Basketry Hat (Part II):

 

Brochure: Introduction to Storage Mount Building

Basketry Storage Mount Building Guide #1: Basket Hats

Basketry Storage Mount Building Guide #2: Conical Bottoms

Basketry Storage Mount Building Guide #3: Side Supports

Basketry Storage Mount Building Guide #4: Drawers and a Drop-Front Box

]]> https://museumtrade.org/customcat/how-to-resources-for-basket-mounts/feed/ 0 10502 How to Make A Support Mount for a Bowl https://museumtrade.org/customcat/how-to-make-a-support-mount-for-a-bowl/ https://museumtrade.org/customcat/how-to-make-a-support-mount-for-a-bowl/#respond Mon, 17 Sep 2018 20:26:46 +0000 https://museumtrade.org/customcat/?p=8705
Hi Gang,
We can across this nice article (May 9, 2016) about making a support mount for a bowl that we thought you’d be interested in reading. Mount Making Focus is a nice resource. The lessons could be widely applied to various bowl materials and eras. What do you think? Do you have a slightly different method you’d care to share, please include your own (with pictures) down below or write an original article by clicking on a “Trade Yours” link.
Pre-Columbian Bowl Mount
It’s been many years since I made this mount, but it remains one of the most spatially interesting and sculptural pieces I’ve ever built. The bowl was a beautiful piece of Pre-Columbian ceramic, (probably Moche) although I do not know the exact region or age. As I recall, it was in reasonable condition for its age but had enough cracking and weakness in the wide rim that it needed a great deal of support to be displayed in the desired vertical orientation. Besides trying to make the display visually exciting, I was also working to help it survive future seismic events in its Pacific Northwest home.

MayanBowl2Using strips of mat board as a templating material, I laid out the fair curves of the proposed mount along the strongest parts of the object. Finding the best locations for support defines the 3D relationships of the various pieces. As the design took shape, I taped the pieces together to give a feel of the final mount. At some point, I felt I had enough information to start bending annealed brass stock and fitting it directly to the curves of the object. This is where the value of the mat board templating became apparent. Through using it, I was able to determine a path for each piece of metal that was a simple curve. There is no twisting in any of the main structural elements. If twists are introduced into the geometry of the mount, the complexity of the spatial relationships vastly increases, and the ability to maintain alignment with the object becomes much more difficult.

Bowl3Once the curves were established, the connecting pieces were fitted and joining begun. At each step of the way, the padded framework was returned to the object to confirm fit, and to mark the lengths and angles of the next additions. Soon the hanging structure was fabricated and small triangulating strut added to counteract any sagging by the support web.

When completed, the bowl slipped into the padded mount with a feeling of great security and support. To ensure that position, a fine cable was looped over the bowl at the junction of the flare and the base, and secured with a #4-40 screw in a tapped hole. With this final security measure, the mounted bowl was both beautiful, and prepared to withstand a seismic event. On February 28th 2001, that test was given by the 6.8 magnitude Nisqually earthquake. This bowl, and all other pieces that had been mounted, came through with no damage. Whew…

]]> https://museumtrade.org/customcat/how-to-make-a-support-mount-for-a-bowl/feed/ 0 8705 Silicone Mold Making, Resin and Foam Casting Tutorials https://museumtrade.org/customcat/silicone-mold-making-resin-casting-tutorial/ https://museumtrade.org/customcat/silicone-mold-making-resin-casting-tutorial/#respond Fri, 17 Aug 2018 12:45:59 +0000 https://museumtrade.org/customcat/?p=8614 If you’re ready to get into these types of mold making you’ve probably already watched 12 videos in anticipation of the project. For those of you who have always liked the idea of mold making, but were afraid to crack the door on the process you should check out these videos. I found them to be very clear, well thought out and peppered with insightful tips. For those of you who might have watched a couple dozen videos in the past without actually executing a project, these videos will reignite your passions. Enjoy!

[arve url=”https://youtu.be/Zs9SBpday84″ mode=”lazyload-lightbox” /] [arve url=”https://youtu.be/R3HvPuvvuDQ” mode=”lazyload-lightbox” /]

 

[arve url=”https://youtu.be/V5UxiSYyrHo” mode=”lazyload-lightbox” /]

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