{"id":8348,"date":"2018-06-13T20:14:41","date_gmt":"2018-06-14T03:14:41","guid":{"rendered":"https:\/\/museumtrade.org\/customcat\/?p=8348"},"modified":"2018-06-12T12:21:57","modified_gmt":"2018-06-12T19:21:57","slug":"in-honor-of-plywood","status":"publish","type":"post","link":"https:\/\/museumtrade.org\/customcat\/in-honor-of-plywood\/","title":{"rendered":"In Honor of Plywood"},"content":{"rendered":"<p>We take plywood for granted, but since the 1850\u2019s it has literally shaped contemporary design. &#8220;Plywood, Material of the Modern World&#8221; at the V&amp;A London, tells the little known story of this common material.<\/p>\n<p>The exhibition design makes good use of the same material it celebrates. Fiberglass coated entry walls with a slick \u201csurfboard\u201d feeling open into an intensely red space. Exhibition elements mimic the layered structure of plywood; tiered bases, sandwiched area signs, and a striped motif. The layers are staggered, engraved, cut through and alternate colors. Even the slightly raised red flooring suggests a bottom layer. The width of the groove engraved in the front of each plywood base is calculated to support labels at the right angle. Modular pedestal labels are designed to insert into the same groove, making all the labels easy to position at the last minute or reposition as needed during install.<\/p>\n<p><img loading=\"lazy\" class=\"size-full wp-image-8349 alignright\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply0_title.jpg\" alt=\"\" width=\"4032\" height=\"2884\" \/><img loading=\"lazy\" class=\"size-full wp-image-8350 alignright\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply1_entry.jpg\" alt=\"\" width=\"3933\" height=\"2767\" \/>To maximize the use of a small exhibition space, a built alcove reveals early plywood construction and doubles as a projection surface for upper videos, viewed from the visitor pathway that loops around it. The exhibition extends out to the museum\u2019s courtyard with ice skating shelters designed and constructed by Canadian Patkau Architects.<\/p>\n<p>Explanations of three milestones in plywood (rotary veneer cutting, moulding and digital cutting techniques), ring the outer red walls in outlined arenas with large scale diagrams. The organization is intuitive. Visitors turn to the outer walls for the history of manufacturing and back to the center area to focus on historical objects; from an 1875 molded chair and Antarctic expedition packing crates, to car and airplane parts. The center is rich with thoughtfully placed objects, on multiple plains from floor level to airspace.<\/p>\n<p><img loading=\"lazy\" class=\"size-full wp-image-8351 alignleft\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply2_layers.jpg\" alt=\"\" width=\"3839\" height=\"2909\" \/><img loading=\"lazy\" class=\"size-full wp-image-8352 alignleft\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply3_grooves.jpg\" alt=\"\" width=\"2770\" height=\"1623\" \/>The assumption here is that the history of a material includes not only science and technology, but it\u2019s changing reputation and popular perception over time. Presenting design through the lens of a single material makes it appealing to both the general public and specialists. It\u2019s a powerful way to be inclusive of multiple levels of focus and interests; from environment to manufacturing, structure, function, design aesthetic, and history. Museums tend to separate content, but in reality its all connected. Ironically, a simple, singular theme often leads to the richest web of connections and understanding.<img loading=\"lazy\" class=\"size-full wp-image-8353 aligncenter\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply4_alcove.jpg\" alt=\"\" width=\"4025\" height=\"2965\" \/><img loading=\"lazy\" class=\"size-full wp-image-8354 aligncenter\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply5_alcove.jpg\" alt=\"\" width=\"3758\" height=\"2796\" \/><img loading=\"lazy\" class=\"size-full wp-image-8355 aligncenter\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply6_courtyard.jpg\" alt=\"\" width=\"3934\" height=\"2485\" \/><img loading=\"lazy\" class=\"size-full wp-image-8356 aligncenter\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply7_explanation.jpg\" alt=\"\" width=\"4013\" height=\"2872\" \/><img loading=\"lazy\" class=\"size-full wp-image-8357 aligncenter\" src=\"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply8_objects.jpg\" alt=\"\" width=\"4013\" height=\"2736\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We take plywood for granted, but since the 1850\u2019s it has literally shaped contemporary design. &#8220;Plywood, Material of the Modern World&#8221; at the V&amp;A London, tells the little known story of this common material. The exhibition design makes good use of the same material it celebrates. Fiberglass coated entry walls with a slick \u201csurfboard\u201d feeling [&hellip;]<\/p>\n","protected":false},"author":31,"featured_media":8356,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[283,421],"tags":[679,678],"gp_videos":[],"jetpack_featured_media_url":"https:\/\/museumtrade.org\/customcat\/wp-content\/uploads\/2018\/05\/ply7_explanation-scaled.jpg","_links":{"self":[{"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/posts\/8348"}],"collection":[{"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/comments?post=8348"}],"version-history":[{"count":0,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/posts\/8348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/media\/8356"}],"wp:attachment":[{"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/media?parent=8348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/categories?post=8348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/tags?post=8348"},{"taxonomy":"gp_videos","embeddable":true,"href":"https:\/\/museumtrade.org\/customcat\/wp-json\/wp\/v2\/gp_videos?post=8348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}