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		<title>How Lumber was Reused After Framing Out a Giant Platform at the Oakland Museum of California</title>
		<link>https://museumtrade.org/customcat/how-lumber-was-reused-after-framing-out-a-giant-platform-at-the-oakland-museum-of-california/</link>
					<comments>https://museumtrade.org/customcat/how-lumber-was-reused-after-framing-out-a-giant-platform-at-the-oakland-museum-of-california/#respond</comments>
		
		<dc:creator><![CDATA[Greg Pond]]></dc:creator>
		<pubDate>Tue, 09 Feb 2021 14:44:05 +0000</pubDate>
				<category><![CDATA[Art De/Installation]]></category>
		<category><![CDATA[Art Design]]></category>
		<category><![CDATA[Art Museum]]></category>
		<category><![CDATA[De/Installation]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[altar]]></category>
		<category><![CDATA[Mildred Howard]]></category>
		<category><![CDATA[ped]]></category>
		<category><![CDATA[pedestal]]></category>
		<category><![CDATA[platform]]></category>
		<category><![CDATA[reuse]]></category>
		<category><![CDATA[upcycle]]></category>
		<category><![CDATA[wood]]></category>
		<guid isPermaLink="false">https://museumtrade.org/customcat/?p=12745</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_message_box vc_message_box-standard vc_message_box-rounded vc_color-peacoc" ><div class="vc_message_box-icon"><i class="far fa-hand-point-down"></i></div><ul>
<li>Rapid Building</li>
<li>Shimming</li>
<li>Skimming</li>
<li>Spackling</li>
<li>Painting</li>
<li>Templating</li>
<li>Installing</li>
<li>Reuse Projects
<ul>
<li>ALTAR</li>
<li>PONY WALL</li>
<li>BOTTOM DECK</li>
<li>ANGLED DECK</li>
</ul>
</li>
</ul>
</div></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element " >
		<div class="wpb_wrapper">
			<p>Hello MuseumTrade art preparators, handlers and technicians. Greg Pond from OMCA has brought us a premium article today. It can be difficult to build out site specific <strong>custom exhibition furniture</strong> and reuse it afterward. It takes a lot of planning; from the exhibit design to the furniture build plans and cut lists- there is a lot to line up to thread that needle. In OMCA&#8217;s case they lucked into the extensive reuse of the materials. After reading this you might be able to proactively reuse your materials and resources. Check out their process here and see if you can gleam a technique or trick for your museum, or simply enjoy the story and trials they went through to get all of this work.</p>
<h3><span style="font-weight: 400;">LET&#8217;S START</span></h3>
<p>&nbsp;</p>
<p><span style="font-weight: 400;"><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img class="alignnone size-full wp-image-12746" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-1-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></span></p>
<p><span style="font-weight: 400;">We were tasked with building a 29’ x 14’ 21”H platform for an art installation by <strong>Mildred Howard</strong>. Our builder designed these simple 2&#215;4 frames (of various sizes) that we could prefab and assemble in the space easily and disassemble easily.</span></p>
<h2>Rapid Building Technique for Pedestal</h2>
<p><span style="font-weight: 400;">The objective at the time was ease of install and de-install in a short manner. However as you will see we reused the frame to build a lot of the following exhibits platforms for the Dia de los Muertos exhibit. </span></p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12747" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-2-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>You can see the horizontal and vertical frames coming together. If you look closely you can also see the vertical framework is staggered for ease of drilling. Also you can see that we taped out the footprint of the platform ahead of time in order to keep it square. As the floor in this space is not perfectly level we used a laser level and shims to keep it from sloping downward.</p>
<p>I should note that the reason we built it this beefy was not because visitors will be able to walk on it. It is because multiple Preps would have to work on it for many hours.</p>
<h2>Shimming Pedestal to be Level</h2>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12748" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-3-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>We had to shim it up to about an inch at the end of the platform due to the concrete floor descending. This is always an issue for us.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12749" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-4-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>We used lots of clamps, levels and “persuasion” to get this monster squared up. (Matt&#8217;s note: Can I just say how much I love this word <em>persuasion</em> here. Such an elegant terms for brutful work)</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12750" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-5-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h2>Skinning the Exhibit Furniture</h2>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12751" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-6-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>The tops of the frames were then capped with 3” wide MDO to help catch the seams. More meat to nail into. This may have been overkill.</p>
<p>Then it was time to skin it. We used ¾” 10’ MDO to do so.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12752" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-7-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>Despite our efforts the beast still was not perfectly square. If you look by Elighs right foot where the decking is clamped you can see it overhangs a good ¾” or so. Don&#8217;t panic! It&#8217;s better to be over than under. A jig saw and trim router will clean that right up.</p>
<p>That&#8217;s a lot of saw dust in an art gallery so dust containment and PPE is crucial. Thanks Eligh!</p>
<p>We brad-nailed the hell out of the seams. Then time to spackle.</p>
<h2>Spackling Seams on the Pedestal</h2>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12754" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-9-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12755" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-10-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>Save yourself a lot of heartache, sand the end grain before spackling. Then go over it with a nice thin skim so you don&#8217;t have to create a lot of dust when you sand it again. Once dried sand again then have a look. You will likely have a few spots to reskim and sand by hand or even with a damp rag. This is a process. It just takes time and elbow grease. (Matt&#8217;s note: This end grain technique was new to me, I LOVE the little things in our work)</p>
<h2>Painting the Beastly Ped</h2>
<p>Then we primed the whole thing and painted the sides, but not yet the top.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12756" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-11-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h2>Templating the Art Installation</h2>
<p>After painting the sides and just priming the top. We used blue tape to map out the general pattern then had our graphics shop print up some templates we could use to predrill all of the holes for the taps.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12757" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-12-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12758" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-13-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>&nbsp;</p>
<p>Once the holes were drilled we then cleaned up the mess and painted the deck. Lots of drilling on our knees.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12759" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-14-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h2>Installing the Art</h2>
<p>I forget the size of the drill bit we used but it was just so that the nails could be pushed in mostly by hand.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12760" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-15-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>These are taps, as in tap shoe taps that would be under the sole. I think in total there were about 2,400 installed but we had a ton of extra just in case. As you can see they alternate each row.</p>
<p>Time to enlist some volunteers!</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12761" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-16-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>Whoever had a bit of free time was asked to come up and help out.</p>
<p>We used the templates to protect the paint finish and packing blankets to protect our knees and butts from getting sore.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12762" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17.jpg" alt="" width="1708" height="2275" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17.jpg 1708w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-500x666.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-225x300.jpg 225w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-769x1024.jpg 769w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-768x1023.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-1153x1536.jpg 1153w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-17-1538x2048.jpg 1538w" sizes="(max-width: 1708px) 100vw, 1708px" /></a></p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12763" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-18-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>The install of the shoe shine station was another matter as it was a heavy delicate piece of furniture and we did not want to damage the deck. We used a genie lift to get it up then carefully pushed it over using slip sticks. Sorry, I have no photos of this process. Perhaps another article on its own about slip sticks? (Matt&#8217;s note: Yes please Greg. Right now I&#8217;m guessing it&#8217;s two pieces of masonite that slide on each other but placing the two slick sides together)</p>
<p>The symmetry of the lighting was also key and took a lot of back and forth to get it right and not damage the deck. You can see the lights are right above the deck and hard to access. I just used the leftover templates to protect the deck and a 6’ ladder to access the lights. The pictures do it no justice. (Matt&#8217;s note: as usual right, generally no one outside our install truly appreciates the magnitude of our work)</p>
<h2>Reuse Projects</h2>
<h3>ALTAR</h3>
<p>Once we deinstalled this exhibition, we reused the material to create a new deck, a pony wall, and altar, and an angled deck for the following “Dia de los Muertos” exhibition. I worked with the designer in advance to make some of the elements of the show the same heights as the “Taps” deck.</p>
<p>This cantilever free standing altar was a challenge. We had about 300 pounds of weight inside the wall. Then worked with our builder to design a lightweight cantilever that would be strong and not make the thing top heavy. The lower deck was built from the “Taps” frames and helped give the whole thing stability.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12764" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19.jpg" alt="" width="1708" height="2275" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19.jpg 1708w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-500x666.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-225x300.jpg 225w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-769x1024.jpg 769w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-768x1023.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-1153x1536.jpg 1153w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-19-1538x2048.jpg 1538w" sizes="(max-width: 1708px) 100vw, 1708px" /></a></p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12765" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-20-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h3>PONY WALL</h3>
<p>Design rendering for pony wall.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12766" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21.jpg" alt="" width="2275" height="1595" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-500x351.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-300x210.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-1024x718.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-768x538.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-1536x1077.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-21-2048x1436.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>Laying the pony wall out using the frames from “Taps” for the pony wall.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12767" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-22-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h3>BOTTOM DECK</h3>
<p>We also used the frames to build this bottom deck.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12768" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-23-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<p>The top tiers were built specifically for this altar.</p>
<p><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12769" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-24-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></p>
<h3><span lang="EN">ANGLED DECK</span></h3>
<div><span lang="EN">And for this angled deck.</span></div>
<div><a href="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25.jpg" data-rel="prettyPhoto&#091;image-12745&#093;"><img loading="lazy" class="alignnone size-full wp-image-12770" src="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25.jpg" alt="" width="2275" height="1708" srcset="https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25.jpg 2275w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-500x375.jpg 500w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-300x225.jpg 300w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-1024x769.jpg 1024w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-768x577.jpg 768w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-1536x1153.jpg 1536w, https://museumtrade.org/customcat/wp-content/uploads/2021/10/Untitled-25-2048x1538.jpg 2048w" sizes="(max-width: 2275px) 100vw, 2275px" /></a></div>
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<p>&nbsp;</p>
<p>The reuse of these frames made the building fast and easy, which was crucial because we had a larger exhibition being installed at the same time in another gallery and our staff was worn thin.</p>
<h3><em>Matt&#8217;s Notes:</em></h3>
<p>Thanks Greg, that was a ton of work in the galleries and a lot of work to bring this to the community. You&#8217;ve created the Lego for the art handler and art preparator world. Many of us find ourselves out in the shop cranking out site specific or custom exhibition furniture. Thinking about reuse ahead of time could save us time in the long run and perhaps use less materials. Given the cost of ALL materials in the midst of COVID-19 this concept is more important that ever.</p>
<p>How are you making double or triple use of expendable materials in your museum or gallery? No matter how small or large the savings has been for you, please share it with the MuseumTrade community today! Your ordinary is someone&#8217;s epiphany.</p>
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		<title>Embellishing with Lichtenberg Wood Burning for Natural Plant-like Formations</title>
		<link>https://museumtrade.org/customcat/embellishing-with-lichtenberg-wood-burning-for-natural-plant-like-formations/</link>
					<comments>https://museumtrade.org/customcat/embellishing-with-lichtenberg-wood-burning-for-natural-plant-like-formations/#respond</comments>
		
		<dc:creator><![CDATA[Matt Isble]]></dc:creator>
		<pubDate>Tue, 06 Feb 2018 17:48:17 +0000</pubDate>
				<category><![CDATA[Children's Design]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[History Museum Design]]></category>
		<category><![CDATA[Natural Science Design]]></category>
		<category><![CDATA[Science Design]]></category>
		<category><![CDATA[Zoo Design]]></category>
		<category><![CDATA[burning]]></category>
		<category><![CDATA[decoration]]></category>
		<category><![CDATA[embellishing]]></category>
		<category><![CDATA[formations]]></category>
		<category><![CDATA[lichtenberg]]></category>
		<category><![CDATA[plant-like]]></category>
		<category><![CDATA[wood]]></category>
		<guid isPermaLink="false">https://museumtrade.org/customcat/?p=7951</guid>

					<description><![CDATA[Also know as Lichtenberg Figures this process dates back quite a while. I think it would be a nice technique in a natural history museum, children&#8217;s museum, or science museum not only for its science, but also for its beauty. Are any of you using this technique in some capacity? Here is the Wikipedia entry: Lichtenberg [&#8230;]]]></description>
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<div id="contentSub">Also know as Lichtenberg Figures this process dates back quite a while. I think it would be a nice technique in a natural history museum, children&#8217;s museum, or science museum not only for its science, but also for its beauty. Are any of you using this technique in some capacity? <a href="https://en.wikipedia.org/wiki/Lichtenberg_figure">Here</a> is the Wikipedia entry:</div>
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<p>Lichtenberg figures (German <i>Lichtenberg-Figuren</i>), or &#8220;Lichtenberg dust figures&#8221;, are branching electric discharges that sometimes appear on the surface or in the interior of insulating materials. Lichtenberg figures are often associated with the progressive deterioration of high voltage components and equipment. The study of planar Lichtenberg figures along insulating surfaces and 3D electrical trees within insulating materials often provides engineers with valuable insights for improving the long-term reliability of high voltage equipment. Lichtenberg figures are now known to occur on or within solids, liquids, and gases during electrical breakdown.</p>
<h2><span id="History" class="mw-headline">History</span></h2>
<p>Lichtenberg figures are named after the German physicist Georg Christoph Lichtenberg, who originally discovered and studied them. When they were first discovered, it was thought that their characteristic shapes might help to reveal the nature of positive and negative electric &#8220;fluids&#8221;. In 1777, Lichtenberg built a large electrophorus to generate high voltage static electricity through induction. After discharging a high voltage point to the surface of an insulator, he recorded the resulting radial patterns by sprinkling various powdered materials onto the surface. By then pressing blank sheets of paper onto these patterns, Lichtenberg was able to transfer and record these images, thereby discovering the basic principle of modern xerography.</p>
<p>This discovery was also the forerunner of the modern-day science of plasma physics. Although Lichtenberg only studied two-dimensional (2D) figures, modern high voltage researchers study 2D and 3D figures (electrical trees) on, and within, insulating materials. Lichtenberg figures are now known to be examples of fractals.</p>
<h2><span id="Formation" class="mw-headline">Formation</span></h2>
<p>Two-dimensional (2D) Lichtenberg figures can be produced by placing a sharp-pointed needle perpendicular to the surface of a non-conducting plate, such as of resin, ebonite, or glass. The point is positioned very near or contacting the plate. A source of high voltage, such as a Leyden jar (a type of capacitor) or a static electricity generator, is applied to the needle, typically through a spark gap. This creates a sudden, small electrical discharge along the surface of the plate. This deposits stranded areas of charge onto the surface of the plate. These electrified areas are then tested by sprinkling a mixture of powdered flowers of sulfur and red lead (Pb<sub>3</sub>O<sub>4</sub> or lead tetroxide) onto the plate.</p>
<p>During handling, powdered sulfur tends to acquire a slight negative charge, while red lead tends to acquire a slight positive charge. The negatively electrified sulfur is attracted to the positively electrified areas of the plate, while the positively electrified red lead is attracted to the negatively electrified areas. In addition to the distribution of colors thereby produced, there is also a marked difference in the form of the figure, according to the polarity of the electrical charge that was applied to the plate. If the charge areas were positive, a widely extending patch is seen on the plate, consisting of a dense nucleus, from which branches radiate in all directions. Negatively charged areas are considerably smaller and have a sharp circular or fan-like boundary entirely devoid of branches. Heinrich Rudolf Hertz employed Lichtenberg dust figures in his seminal work proving Maxwell&#8217;s electromagnetic wave theories.</p>
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<p><img loading="lazy" class="thumbimage alignleft" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/Tracking1.jpg/220px-Tracking1.jpg" alt="" width="220" height="179" data-file-width="539" data-file-height="438" /></p>
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<p>Carbonized high-voltage discharge tracks cross the surface of a polycarbonate sheet</p>
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<p>If the plate receives a mixture of positive and negative charges as, for example, from an induction coil, a mixed figure results, consisting of a large red central nucleus, corresponding to the negative charge, surrounded by yellow rays, corresponding to the positive charge. The difference between positive and negative figures seems to depend on the presence of air; for the difference tends to disappear when the experiment is conducted in vacuum. Peter T. Riess (a 19th-century researcher) theorized that the negative electrification of the plate was caused by the friction of the water vapour, etc., driven along the surface by the explosion which accompanies the disruptive discharge at the point. This electrification would favor the spread of a positive, but hinder that of a negative discharge.<sup id="cite_ref-4" class="reference"></sup></p>
<p>It is now known that electrical charges are transferred to the insulator&#8217;s surface through small spark discharges that occur along the boundary between the gas and insulator surface. <sup id="cite_ref-5" class="reference"></sup>Once transferred to the insulator, these excess charges become temporarily stranded. The shapes of the resulting charge distributions reflect the shape of the spark discharges which, in turn, depend on the high voltage polarity and pressure of the gas. Using a higher applied voltage will generate larger diameter and more branched figures. It is now known that positive Lichtenberg figures have longer, branching structures because long sparks within air can more easily form and propagate from positively charged high voltage terminals. This property has been used to measure the transient voltage polarity and magnitude of lightning surges on electrical power lines.<sup id="cite_ref-6" class="reference"></sup></p>
<p>Another type of 2D Lichtenberg figure can be created when an insulating surface becomes contaminated with semiconducting material. When a high voltage is applied across the surface, leakage currents may cause localized heating and progressive degradation and charring of the underlying material. Over time, branching, tree-like carbonized patterns are formed upon the surface of the insulator called electrical trees. This degradation process is called <i>tracking</i>. If the conductive paths ultimately bridge the insulating space, the result is catastrophic failure of the insulating material. Some artists purposely apply salt water to the surface of wood or cardboard and then apply a high voltage across the surface to generate complex carbonized 2D Lichtenberg figures on the surface.<sup id="cite_ref-7" class="reference"></sup></p>
<h3><span id="Fractal_similarities" class="mw-headline">Fractal similarities</span></h3>
<p>The branching, self-similar patterns observed in Lichtenberg figures exhibit fractal properties. Lichtenberg figures often develop during the dielectric breakdown of solids, liquids, and even gases. Their appearance and growth appear to be related to a process called diffusion-limited aggregation (DLA). A useful macroscopic model that combines an electric field with DLA was developed by Niemeyer, Pietronero, and Weismann in 1984, and is known as the dielectric breakdown model (DBM).<sup id="cite_ref-8" class="reference"></sup></p>
<p>Although the electrical breakdown mechanisms of air and PMMA plastic are considerably different, the branching discharges turn out to be related. So, it should not be surprising that the branching forms taken by natural lightning also have fractal characteristics.<sup id="cite_ref-9" class="reference"></sup></p>
<h2><span id="Natural_occurrences" class="mw-headline">Natural occurrences</span></h2>
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<p><img loading="lazy" class="thumbimage alignleft" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/69/Lightning_in_Arlington.jpg/220px-Lightning_in_Arlington.jpg" alt="" width="220" height="199" data-file-width="1327" data-file-height="1200" /></p>
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<p>Lightning is a naturally occurring 3-dimensional Lichtenberg figure</p>
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<p>Lichtenberg figures may also appear on the skin of lightning strike victims. These are reddish, fern like patterns that may persist for hours or days. They are also a useful indicator for medical examiners when determining the cause of death. Lichtenberg figures appearing on people are sometimes called <b>lightning flowers</b>, and they are thought to be caused by the rupture of capillaries under the skin due to the passage of the lightning current or the shock wave from the lightning discharge as it flashes over the skin.<sup id="cite_ref-10" class="reference"></sup></p>
<p>A lightning strike can also create a large Lichtenberg figure in grass surrounding the point struck. These are sometimes found on golf courses or in grassy meadows. <sup id="cite_ref-11" class="reference"></sup>Branching root-shaped &#8220;fulgurite&#8221; mineral deposits may also be created as sand and soil is fused into glassy tubes by the intense heat of the current.</p>
<p>Electrical treeing often occurs in high-voltage equipment prior to causing complete breakdown. Following these Lichtenberg figures within the insulation during post-accident investigation of an insulation failure can be useful in finding the cause of breakdown. An experienced high-voltage engineer can see from the direction and the shape of trees and their branches where the primary cause of the breakdown was situated and possibly find the initial cause. Broken-down transformers, high-voltage cables, bushings and other equipment can usefully be investigated in this manner. The insulation is unrolled (in the case of paper insulation) or sliced in thin slices (in the case of solid insulating materials). The results are then sketched or photographed to create a record of the breakdown process.</p>
<h2><span id="In_insulating_materials" class="mw-headline">In insulating materials</span></h2>
<p>Modern Lichtenberg figures can also be created within solid insulating materials, such as acrylic (polymethyl methacrylate or PMMA) or glass by injecting them with a beam of high-speed electrons from a linear electron beam accelerator (or Linac, a type of particle accelerator). <sup id="cite_ref-12" class="reference"></sup>Inside the Linac, electrons are focused and accelerated to form a beam of high-speed particles. Electrons emerging from the accelerator have energies up to 25MeV and are moving at an appreciable fraction (95 &#8211; 99+ percent) of the speed of light (relativistic velocities).</p>
<p>If the electron beam is aimed towards a thick acrylic specimen, the electrons easily penetrate the surface of the acrylic, rapidly decelerating as they collide with molecules inside the plastic, finally coming to rest deep inside the specimen. Since acrylic is an excellent electrical insulator, these electrons become temporarily trapped within the specimen, forming a plane of excess negative charge. Under continued irradiation, the amount of trapped charge builds, until the effective voltage inside the specimen reaches millions of volts. <sup id="cite_ref-13" class="reference"></sup>Once the electrical stress exceeds the dielectric strength of the plastic, some portions suddenly become conductive in a process called dielectric breakdown.</p>
<p>During breakdown, branching tree or fern-like conductive channels rapidly form and propagate through the plastic, allowing the trapped charge to suddenly rush out in a miniature lightning-like flash and bang. Breakdown of a charged specimen may also be manually triggered by poking the plastic with a pointed conductive object to create a point of excessive voltage stress. During the discharge, the powerful electric sparks leave thousands of branching chains of fractures behind &#8211; creating a permanent Lichtenberg figure inside the specimen. Although the internal charge within the specimen is negative, the discharge is initiated from the positively charged exterior surfaces of the specimen, so that the resulting discharge creates a positive Lichtenberg figure. These objects are sometimes called <b>electron trees</b>, <b>beam trees</b>, or <b>lightning trees</b>.</p>
<p>As the electrons rapidly decelerate inside the acrylic, they also generate powerful X-rays. Residual electrons and X-rays darken the acrylic by introducing defects (color centers) in a process called solarization. Solarization initially turns acrylic specimens a lime green color which then changes to an amber color after the specimen has been discharged. The color usually fades over time, and gentle heating, combined with oxygen, accelerates the fading process.<sup id="cite_ref-14" class="reference"></sup></p>
<h2><span id="On_wood" class="mw-headline">On wood</span></h2>
<div class="thumb tright"></div>
<p>Lichtenberg figures can also be produced on wood. The types of wood and grain patterns affect the shape of the Lichtenberg Figure produced.<sup id="cite_ref-15" class="reference"></sup></p>
<p>&nbsp;</p>
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[arve url=&#8221;https://www.youtube.com/watch?v=_ygcknUsGv4&#8243; mode=&#8221;lazyload-lightbox&#8221; title=&#8221;Wood Electrification and Burning (Lichtenberg fractal figure)&#8221; description=&#8221;Wood Electrification and Burning (Lichtenberg fractal figure)&#8221; play_icon_style=&#8221;circle&#8221; /]
[arve url=&#8221;https://www.youtube.com/watch?v=wH4Vlfv-klQ&#8221; mode=&#8221;lazyload-lightbox&#8221; title=&#8221;Wood Electrification (aka Lichtenberg figure)&#8221; description=&#8221;Wood Electrification (aka Lichtenberg figure)&#8221; play_icon_style=&#8221;circle&#8221; /]
[arve url=&#8221;https://www.youtube.com/watch?v=1fmSwCODrmE&#8221; mode=&#8221;lazyload-lightbox&#8221; title=&#8221;More Industrial Lichtenberg Wood Burning&#8221; description=&#8221;More Industrial Lichtenberg Wood Burning&#8221; play_icon_style=&#8221;circle&#8221; /]
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