Interactives – CustomCat1 https://museumtrade.org/customcat Gear & Guides, So you get it done, Beautifully Wed, 01 Mar 2023 00:21:13 +0000 en-US hourly 1 https://wordpress.org/?v=6.0.7 https://museumtrade.org/customcat/wp-content/uploads/2018/02/cropped-Final_logo_512x512-32x32.png Interactives – CustomCat1 https://museumtrade.org/customcat 32 32 84532699 Ever-Growing List of Awesome Books for Museum Handlers, Designers, Technicians, and Preparators https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/ https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/#respond Wed, 01 Mar 2023 00:20:17 +0000 https://museumtrade.org/customcat/?p=15625
Hi Everyone,

 

MuseumTrade.org is committed to compiling all the tips, tricks, successes, and yes, failures from museum pros into one searchable database. But sometimes the answers just lie in a good book. A book that niches down hard and pulls out each detail. Books are a nice reference especially when you need to highlight or dogear a favorite section for later use in storage or in the gallery, or to share with your colleagues.

 

Like you these practitioners poured their blood and sweat into thier work so you and I could get that much better at our jobs. Sometimes it’s a section on how to work smarter not harder, other times it’s a nuanced technique, other times it’s what NOT to do; these practical books are here to help. I’ve compiled a really excellent list of books for museum pros like you and me. Here are the books we have or are going to order. I did a deep-dive in researching these books, I thought I’d help the MT community by compiling a description of each of them from the perspective of a museum pro. This list will grow over the years and is thus presented in no particular order. As these books come in and we get through them, I’lll make updates here as well.

 

Making the case: A great way to increase your knowledge and expertise is to ask your institution to make this purchase for you. Many places have a staff development fund that generally goes to conference trips, workshops, or webinars. But a book purchase fits neatly into this bucket as well. Often there will be a small pot of money at the end of the fiscal year that goes unused, sadly. You can help out by applying for those funds to buy one of these books. Good luck.

 

Did I miss a crucial book?! Please let me know via the comment below or DM me: matt@museumtrade.org Here we go….

 

Each book will have an Amazon link for your convenience. It costs you nothing to click through but will kick back a small commission that will help MuseumTrade’s mission. Thanks!

 

 

1.) The Preparator’s Handbook: A Practical Guide for Preparing and Installing Collection Objects

by Andrew Saluti

I actually just ordered The Preparator’s Handbook: A Practical Guide for Preparing and Installing Collection Objects by Andrew Saluti, and I have to say, it looks really practical. We all know that preparing and installing collection objects can be a real challenge, but this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of collection objects, including paintings, sculptures, and historical artifacts. Saluti then goes on to outline the various steps involved in preparing and installing these objects, from assessment and conservation to transportation and installation.

The chapters play out like this:

  • Introduction
  • The Preparator’s Workspace
  • Tools and Materials
  • Object Handling
  • Object Preparation
  • Object Mounting
  • Installation Design
  • Installation Preparation
  • Installation Techniques
  • Project Management
  • Conclusion
  • Appendix A: Metric Conversion Tables
  • Appendix B: Suppliers
  • Bibliography
  • Index

It’s a comprehensive guide to the practical skills and techniques needed to prepare and install collection objects in museums, galleries, and other exhibition spaces.

The book is aimed at handlers, preparators, technicians, and other professionals who work with collection objects, but it can also be useful for students and anyone interested in the technical aspects of museum work.

Some highlights of the book include:

  • The emphasis on hands-on, practical skills, with step-by-step instructions and detailed illustrations to help readers master techniques such as packing, handling, and installation.
  • The coverage of a wide range of materials and object types, including paintings, sculptures, textiles, and more, as well as electronic media and other digital objects.
  • The focus on safety and risk management, with advice on how to identify and manage potential hazards and minimize risk.
  • The emphasis on collaboration and teamwork, with guidance on how to work effectively with curators, designers, and other stakeholders.
  • The discussion of new technologies and techniques, such as 3D printing and augmented reality, and their implications for exhibition design and object preparation.

Overall, “The Preparator’s Handbook” looks to be a valuable resource for anyone involved in the preparation and installation of collection objects. It provides practical advice and guidance on a wide range of topics, and is sure to be a useful reference for anyone working in the museum field.

I suspect I’ll gleam a solid handful of worthwhile tips and tricks. I’m always looking to tune up my mount making skills and I think the newer crew could benefit from reading about the pre and handling details we’ve been teaching them in the gallery. Sometimes it can be easier to digest new info when you don’t have art on the line and deadlines to meet.

I can’t wait to get my hands on “The Preparator’s Handbook” and I think it’ll be an excellent addition for anyone who works in the museum field, especially those involved in preparing and installing collection objects. Whether you’re a seasoned pro or just starting out, this book looks to be packed with practical advice and helpful tips that will help you tackle your next project with confidence.

 

2.) Collection Conundrums: Solving Collections Management Mysteries

by Rebecca A. Buck

Another book we just ordered is Collection Conundrums: Solving Collections Management Mysteries by Rebecca A. Buck.  This book is right up our alley, it provides practical solutions to some of the biggest challenges we face in collections management. We’re doing a major collections move later this year. I thought it best to tackle this book BEFORE we come across a collection conundrum so we have a plan of attack when or if we do. Let’s be real, it’s WHEN we come across a conundrum. With 140+ years of collecting here at the Crocker, there’s bound to be an anomaly in here somewhere.

The book is divided into chapters that address various conundrums, from storage and preservation to access and security. Buck provides a comprehensive overview of each issue and then offers practical solutions and best practices that can be applied in a museum setting. The real-world examples and case studies used throughout the book will help us better understand the concepts and how they could be applied in our own work.

The chapters layout like this:

  • Introduction
  • Solving Collection Conundrums
  • Preventing Conundrums
  • Working with a Collection
  • Collections Policies
  • Acquiring Objects for a Collection
  • Describing and Documenting Objects
  • Caring for Objects in a Collection
  • Storing and Housing Collections
  • Displaying Objects in a Collection
  • Accessing Collections
  • Legal and Ethical Considerations
  • Conclusion
  • Appendix A: Resources for Collections Management
  • Appendix B: Sample Collections Management Forms and Documents
  • Glossary
  • Bibliography
  • Index

This book is a practical guide to solving the many challenges that arise in managing museum collections, from identifying unknown objects to dealing with deteriorating materials. It’s aimed at collections managers, art handlers, and other professionals who work with museum collections, but it can also be a useful resource for students and anyone interested in the behind-the-scenes work of museums.

The book is organized into chapters that cover different types of collection conundrums, such as identifying and dating objects, dealing with pests and mold, and managing electronic media. Each chapter presents a case study that illustrates the problem, and then provides step-by-step guidance on how to solve it.

Some highlights of the book include:

  • The emphasis on a practical, hands-on approach to problem-solving, with clear and concise instructions on how to tackle specific challenges.
  • The use of real-life case studies to illustrate common problems and solutions, which makes the book engaging and relevant.
  • The focus on collaboration and teamwork, with advice on how to work effectively with colleagues, contractors, and other stakeholders.
  • The emphasis on preventive conservation, with tips on how to identify and address potential problems before they become serious.

Overall, “Collection Conundrums” looks to be a valuable resource for anyone involved in managing museum collections. It provides practical advice and solutions to a wide range of problems, and is sure to be a useful reference for years to come.

 

3.) Fine Art Movement and Storage: Project Management for the Visual Arts

by Chuck Agro

Yet another book we just ordered, but hasn’t yet arrived, Fine Art Movement and Storage: Project Management for the Visual Arts by Chuck Agro. I suspect that our upcoming MAJOR collections move will benefit from this book, but I suspect the learnings will be applicable to anyone with any sized collection. All of us are always moving and rehousing, am I right? I suspect we’ll find a wealth of information and insights on how to better manage fine art movement and storage projects.

The book starts by outlining the key principles of project management and then goes on to apply these principles specifically to the world of fine art. Agro covers everything from planning and preparation to execution and follow-up, providing step-by-step guidance on how to successfully manage a fine art movement or storage project.

The chapters layout like this:

  • Introduction
  • Overview of the Visual Arts Industry
  • Moving and Storing Fine Art
  • Project Management in the Visual Arts
  • Pre-Project Planning
  • Project Implementation
  • Installation and De-Installation
  • On-Site Project Management
  • Best Practices in the Visual Arts
  • Safety and Security in the Visual Arts
  • Insurance and Liability
  • Conclusion
  • Appendix A: Sample Forms and Checklists
  • Appendix B: Resources for the Visual Arts
  • Glossary
  • Bibliography
  • Index

One of the things this book covers is the emphasis on risk management. Agro provides a detailed overview of the various risks associated with fine art movement and storage, from damage and theft to environmental factors and transportation issues. He then goes on to provide practical solutions for mitigating these risks, this will be extremely helpful.

The book is designed to help museums, galleries, and other organizations that handle fine art collections to plan and execute movement and storage projects effectively, efficiently, and safely.

The book covers a wide range of topics related to the movement and storage of fine art, including project planning, risk assessment, packing and handling techniques, transportation, storage, and environmental management.

Some highlights of the book include:

  • The emphasis on project management, with detailed guidance on how to plan and execute fine art movement and storage projects effectively.
  • The focus on risk management, with advice on how to identify and manage potential hazards, and minimize the risk of damage to valuable artworks.
  • The coverage of a wide range of topics, including packing and handling techniques, transportation, storage, and environmental management.
  • The use of real-life case studies and examples to illustrate key points and provide practical guidance.
  • The emphasis on collaboration and teamwork, with advice on how to work effectively with other professionals involved in fine art movement and storage projects.

Overall, “Fine Art Movement and Storage” is a valuable resource for anyone involved in the management of fine art collections. It provides practical advice and guidance on a wide range of topics related to movement and storage, and is sure to be a useful reference for anyone working in the museum field.

 

4.) Managing Previously Unmanaged Collections: A Practical Guide for Museums

by Angela Kipp

Hey there! So I just finished reading “Managing Previously Unmanaged Collections: A Practical Guide for Museums” by Angela Kipp, and I have to say, it was a real lifesaver. As someone who works in a museum, I can attest to the fact that managing previously unmanaged collections can be a real challenge. But this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of previously unmanaged collections, including private collections, archives, and historical societies. Kipp then goes on to outline the various steps involved in managing these collections, from assessment and cataloging to preservation and access.

Here’s how the chapters shake out:

  • Introduction
  • Understanding Previously Unmanaged Collections
  • Creating an Inventory of the Collection
  • Assessing the Condition of the Collection
  • Developing a Collections Management Policy
  • Accessioning New Objects
  • Object Cataloging and Documentation
  • Collection Storage and Handling
  • Collection Care and Preservation
  • Access to the Collection
  • Deaccessioning Objects
  • Legal and Ethical Considerations
  • Collection Emergency Planning and Disaster Response
  • Conclusion
  • Appendix A: Sample Forms and Documents
  • Appendix B: Resources for Collections Management
  • Glossary
  • Bibliography
  • Index

This feels like a guidebook that aims to help museums and cultural institutions that have acquired collections that have not been previously managed or cataloged.

The book covers a wide range of topics related to managing collections, including collection assessment, cataloging, preservation, conservation, digitization, storage, and documentation.

Some highlights of the book include:

  • The emphasis on the importance of assessing and prioritizing collections, and developing a strategic plan for managing them.
  • The practical advice on how to conduct a collection inventory, and how to develop a cataloging system that meets the needs of the museum and its users.
  • The coverage of best practices for preserving and conserving collections, including guidance on environmental controls, storage materials, and pest management.
  • The focus on the importance of documentation, and the advice on how to create and maintain accurate and up-to-date records.
  • The guidance on how to develop a digitization plan, and the benefits of making collections accessible online.

Overall, “Managing Previously Unmanaged Collections” is a useful resource for museums and cultural institutions that are starting to manage collections that have not been previously managed or cataloged. It provides practical advice and guidance on a wide range of topics related to collection management, and is sure to be a valuable reference for museum professionals.

 

 

5.) Art Can Kill

by Bryan L Cooke

Hey there! I recently read the book “Art Can Kill” by Bryan L Cooke and I must say, it was quite a ride. As someone who works in a museum, I found it particularly relevant to my line of work.

The book is a mystery thriller that revolves around a series of murders at a museum. The main character, Adam, who is a curator at the museum, finds himself caught in the middle of the investigation and is forced to use his expertise in art history to uncover the truth behind the murders.

The chapters break down like this:

  • Introduction: Moving Art
  • Art Can Kill
  • Education
  • Cart & Crate
  • A servant Must Never Forget His Place
  • Saves and Near Misses: Staying Alive in the Art Biz
  • Dogs
  • Movie Stars, Moguls, and Hollywood Types
  • Cowboys
  • Earthquakes and Petty Tyrants
  • Raids, Reparations, and Shady Dealings
  • Thefts
  • Sharks and Hustlers
  • Endings

What I appreciated most about this book is how it highlighted the often-overlooked dangers that come with working in the art world. From the handling of priceless artworks to the politics and egos that exist within museums, “Art Can Kill” gave me a new appreciation for the challenges we face on a daily basis.

Cooke does an excellent job of weaving together art history, mystery, and thriller elements to create a fast-paced and engaging story. It was a real page-turner for me, as I was constantly trying to solve the mystery along with the main character.

Overall, I would definitely recommend “Art Can Kill” to anyone who works in the art or museum world. It’s a fun and entertaining read that provides a unique perspective on the challenges we face and the sacrifices we make in the pursuit of preserving art and culture.

 

 

6.) Collection Care

by Brent Powell

Hey there! So I just finished reading “Collection Care” by Brent Powell, and I have to say, it was a real game-changer. As someone who works in a museum, I know that taking care of collections can be a real challenge, but this book provides a wealth of practical advice and tips to help make the process smoother and more effective.

The book starts by providing a comprehensive overview of the different types of collection materials, including paintings, sculptures, and historical artifacts. Powell then goes on to outline the various steps involved in caring for these materials, from assessment and conservation to storage and transportation.

Here’s what the chapters look like:

  • Introduction
  • Agents of Deterioration
  • Monitoring Environmental Conditions
  • Preventive Conservation Strategies
  • Emergency Preparedness
  • Handling, Packing, and Shipping Collections
  • Condition Reporting and Documentation
  • Integrated Pest Management
  • Collection Cleaning and Maintenance
  • Conservation Treatments
  • Display and Exhibition
  • Digital Preservation
  • Legal and Ethical Considerations
  • Conclusion
  • Appendix A: Glossary
  • Appendix B: Resources
  • Index

One of the things I appreciated most about this book was the emphasis on preventative care. Powell provides a detailed overview of the various factors that can impact the condition of collection materials, from environmental factors like temperature and humidity to the handling and use of the objects. He also provides practical advice on how to minimize the risks associated with these factors to ensure the long-term preservation of the collections.

Some highlights of the book include:

  • The importance of preventative conservation, which involves taking steps to prevent damage to objects before it occurs. This includes maintaining appropriate environmental conditions, using proper storage materials, and carefully handling objects during transport and exhibition.
  • The various types of damage that can occur to museum objects, including physical damage, chemical damage, and biological damage, and how to prevent and address each type.
  • The use of technology in collection care, including monitoring systems that track environmental conditions, and software programs that aid in object tracking and management.
  • The importance of collaboration between different museum departments, including curators, conservators, and collections managers, in order to ensure the best possible care for museum objects.
  • The challenges of balancing collection care with the need to make objects accessible to the public, and how to find a balance between these two priorities.

Overall, “Collection Care” is a valuable resource for museum professionals looking to improve their knowledge and practices related to the care and management of collections. The book provides practical advice on a range of topics and emphasizes the importance of preventative conservation and collaboration between museum departments.

 

 

7.) Manual of Digital Museum Planning

by Ali Hossaini 

Hey there! So I just finished reading “Manual of Digital Museum Planning” by Ali Hossaini and Ngaire Blankenberg, and I have to say, it was an absolute must-read for anyone working in a museum today. As someone who works in the field, I know that digital technology is rapidly changing the way museums operate, and this book provides a wealth of practical advice and tips to help museums make the most of these new opportunities.

The book starts by outlining the different types of digital technology that are available to museums, including website design, digital collections management, and interactive exhibits. Hossaini and Blankenberg then go on to provide a step-by-step guide to the process of planning and implementing digital projects in a museum, from developing a project plan and budget to assessing the impact of the technology on visitors and the museum’s operations.

The chapters for this book are:

  • Introduction
  • Digital Museum Planning Overview
  • Planning for Digital Strategy
  • Digital Project Management
  • Audience Engagement and Interpretation
  • Collection Management Systems
  • Digital Asset Management
  • Digital Media Production
  • Online Collections and Exhibitions
  • Digital Interactives and Gaming
  • Social Media and Marketing
  • Metrics and Evaluation
  • Digital Preservation
  • Legal and Ethical Issues
  • Conclusion
  • Appendix A: Sample Project Charter
  • Appendix B: Sample Project Plan
  • Appendix C: Museum Digital Resources
  • Glossary
  • Bibliography
  • Index

One of the things I appreciated most about this book was the emphasis on accessibility and inclusiveness. Hossaini and Blankenberg stress the importance of considering the needs of all visitors, including those with disabilities, when planning digital projects. They also provide practical advice on how to ensure that digital technologies are accessible and usable for everyone, regardless of their abilities.

Another aspect of the book that I found particularly valuable was the focus on sustainability and the long-term impact of digital projects. Hossaini and Blankenberg emphasize the importance of considering the life cycle of digital projects, from planning and implementation to maintenance and eventual retirement, to ensure that the museum is making the best use of its resources.

Some highlights of the book include:

  • An overview of the history and development of digital technologies in museums, including examples of successful digital projects from around the world.
  • A step-by-step guide to developing a digital strategy for a museum, including how to set goals, engage stakeholders, and evaluate success.
  • Detailed information on a range of digital technologies and their uses in museums, including mobile apps, virtual and augmented reality, social media, and digital collections.
  • Case studies of museums that have successfully implemented digital technologies, including the Smithsonian Institution, the British Museum, and the Art Institute of Chicago.
  • Considerations for accessibility, including how to design digital experiences that are inclusive and accessible to all visitors.

Overall, “Manual of Digital Museum Planning” is a valuable resource for museum professionals looking to integrate digital technologies into their institutions. The book provides practical advice and case studies to help museums create engaging, inclusive, and innovative experiences for their visitors.

 

8.) Light for Art’s Sake

by Christopher Cuttle

Hey there! So I just finished reading “Light for Art’s Sake” by Christopher Cuttle, and I have to say, it was an absolute eye-opener for anyone working in a museum. As someone who works in the field, I know that lighting is one of the most important factors in showcasing art and preserving collections, and this book provides a wealth of practical advice and tips on how to get it right.

The book starts by exploring the fundamental principles of lighting design, from color rendering and luminance to the relationship between light and shadow. Cuttle then goes on to outline the different types of lighting systems that are available, including LED, halogen, and fluorescent and provides a comprehensive overview of the pros and cons of each.

Here are the chapter headings:

  • Introduction
  • The Effect of Light on Art
  • Human Vision and Light Perception
  • Light Sources
  • Luminaires
  • Lighting Design Principles
  • Lighting Art for Display
  • Display Case Lighting
  • Outdoor Lighting for Art
  • Lighting for Museums and Galleries
  • Energy Efficiency in Art Lighting
  • Lighting Controls
  • Measuring and Testing Light
  • Conclusion
  • Appendix A: Glossary of Lighting Terms
  • Appendix B: Commonly Used Light Sources
  • Appendix C: Lighting Manufacturers
  • Appendix D: Museums and Galleries with Lighting-Related Websites
  • Bibliography
  • Index

One of the things I appreciated most about this book was the emphasis on considering the needs of the art and the visitors when designing a lighting system. Cuttle stresses the importance of taking into account the type of art being displayed, the size and shape of the gallery space, and the needs of visitors, including those with disabilities, when planning a lighting system.

Another aspect of the book that I found particularly valuable was the focus on energy efficiency and sustainability. Cuttle highlights the importance of choosing energy-efficient lighting systems to reduce the museum’s carbon footprint and ensure that the lights are turned off when not needed, to conserve energy.

Some highlights of the book include:

  • An overview of the fundamental principles of lighting design, including the importance of color temperature, color rendering, and light levels.
  • Guidance on how to design lighting schemes that are appropriate for different types of art, including paintings, sculpture, and textiles.
  • An exploration of the relationship between lighting and perception, including how lighting can be used to enhance the viewer’s experience of art.
  • Case studies of museums and galleries that have successfully implemented innovative lighting schemes, including the Louvre in Paris and the Guggenheim Museum in New York.
  • A discussion of the latest developments in lighting technology, including LED lighting and the use of advanced computer modeling to design lighting schemes.

Overall, I would highly recommend “Light for Art’s Sake” to anyone who works in a museum or is involved in lighting design in the museum field. Whether you’re a seasoned pro or just starting out, this book is packed with practical advice and helpful tips that will help you design a lighting system that showcases the art in the best possible way and protects the collections for future generations.

 

9.) Closed on Mondays: Behind the Scenes at the Museum

by Dinah Casson

Hey there! So I just finished reading “Closed on Mondays: Behind the Scenes at the Museum” by Dinah Casson, and I have to say, it was an absolute must-read for anyone who works in a museum. As someone who works in the field, I know that there’s a lot that goes into running a museum that the public never sees, and this book provides a fascinating behind-the-scenes look at what really happens when the doors are closed.

The book starts by introducing the reader to the different types of museums and the various departments that make them run, from curatorial to visitor services and everything in between. Casson then goes on to provide a detailed look at what goes into the day-to-day operations of a museum, from managing collections and exhibitions to dealing with visitors and managing the finances.

With this one the chapters are:

  • Introduction
  • The Museum World
  • The Building Blocks
  • The Staff
  • The Visitor
  • Designing Exhibitions
  • Designing Learning Spaces
  • Digital Technology
  • Planning and Managing Projects
  • Building Maintenance
  • Cleaning and Conservation
  • Access and Inclusion
  • Making Money
  • Measuring Success
  • Conclusion
  • Appendix A: Museums with Online Collections
  • Appendix B: Further Reading
  • Glossary
  • Index

One of the things I appreciated most about this book was the emphasis on the importance of teamwork in running a museum. Casson stresses the importance of working together as a team, from the curators to the security guards, to ensure that the museum runs smoothly and provides the best possible experience for visitors.

Another aspect of the book that I found particularly valuable was the focus on the challenges that museums face, from budget cuts and staffing issues to the pressures of keeping up with changing technology and visitor expectations. Casson provides practical advice and tips on how museums can overcome these challenges and continue to provide a high-quality visitor experience.

Some highlights of the book include:

  • An exploration of the day-to-day workings of a museum, including the planning and execution of exhibitions, the management of collections, and the development of educational programs.
  • Insights into the challenges and opportunities facing museums in the 21st century, including the need to engage with diverse audiences, embrace digital technologies, and balance the demands of preserving cultural heritage with the desire to innovate and experiment.
  • Case studies of museums around the world that have successfully addressed these challenges, including the Tate Modern in London, the National Museum of African American History and Culture in Washington D.C., and the Palace Museum in Beijing.
  • Interviews with museum professionals, including curators, educators, conservators, and administrators, who share their perspectives on the joys and frustrations of working in the museum world.

Overall, I would highly recommend “Closed on Mondays: Behind the Scenes at the Museum” to anyone who works in a museum or is interested in the inner workings of museums. Whether you’re a seasoned pro or just starting out, this book provides an insightful and engaging look at what it takes to run a museum and is sure to be an enjoyable and enlightening read.

]]> https://museumtrade.org/customcat/ever-growing-list-of-awesome-books-for-museum-handlers-designers-technicians-and-preparators/feed/ 0 15625 Comparing Mini Printers for Use in Museums https://museumtrade.org/customcat/comparing-mini-printers-for-use-in-museums/ https://museumtrade.org/customcat/comparing-mini-printers-for-use-in-museums/#respond Thu, 09 Feb 2023 22:12:47 +0000 https://museumtrade.org/customcat/?p=15554 Those of us in the museum field love to engage our visitors. Be it through objects, stories, interactives, graphics, or little things they can take away with them so they can remember the experience. No need to reinvent the wheel, a photo booth, be it digital or actual, is always a crowd favorite.

It’s hard to know what hardware will be right for your situation. I did the research and tried to break down all the pros and cons of the top 4 models. I hope this helps and please share your experience with MuseumTrade so we can further this research. Do you use a brand or model not mentioned here, please-please-please let me know so we can all learn from your experience. We’re in this together.

There once was a mini printer so bright,

With Bluetooth, it prints with such delight,

It’s small and compact,

And easy to act,

Now memories can be printed all night!

Mini Printers: Pros and Cons for Museums

There are several popular models of Bluetooth-enabled mini color printers including HP Sprocket, Canon Ivy Mini Photo Printer, Kodak Mini 3 Retro, and Fujifilm Instax Mini Link.

Pros of these printers include:

  • Portability: These printers are small in size and can easily fit in a pocket, making them ideal for on-the-go printing in any gallery space or off-site location.
  • Convenient printing: With Bluetooth connectivity, these printers allow for easy and convenient printing from a smartphone or tablet. Best to use the museum’s tablet so you don’t have to connect to each and every visitor’s phone.
  • High-quality prints: Many of these printers produce high-quality, vibrant color prints.

Cons of these printers include:

  • Limited paper capacity: The small size of these printers also means a limited paper capacity, making them less suitable for high-volume printing.
  • Cost of consumables: The cost of the printing paper and ink can be higher compared to traditional printers.
  • Limited functionality: These printers typically have limited functionality compared to full-featured printers, such as the lack of scanning and copying capabilities.
  • No branding options on the photo itself. That would be cool, but it’s not available at this price point. Consider a sticker you pop on before handing it over.
-For your convenience, I’ve included the Amazon link for each printer. Clicking the link costs you nothing, but it will help support MuseumTrade’s mission. Thanks in advance for your support!

 

HP Sprocket Review:

The HP Sprocket is a Bluetooth-enabled mini color printer that is designed for on-the-go printing. It is small in size, easy to carry around, and produces high-quality, vibrant color prints.

One of the standout features of the HP Sprocket is its user-friendly app, which offers plenty of customization options such as filters, frames, and text. The app is easy to navigate and makes printing a breeze.

Another advantage of the HP Sprocket is its affordability, with paper refills available at a reasonable cost. The 2×3 inch print size is perfect for creating mini prints to share with friends or decorate your space.

However, it is important to note that the print quality of the HP Sprocket may not be as sharp as some of the other mini color printers on the market. Additionally, the small size of the printer also means a limited paper capacity, making it less suitable for high-volume printing.

In conclusion, the HP Sprocket is a great option for those who value portability, affordability, and a user-friendly app. It produces high-quality, vibrant color prints and is perfect for on-the-go printing. Just be aware of its limitations regarding print quality and paper capacity.

Buy your HP Sprocket HERE

Pros of the HP Sprocket:

  • Small and portable design makes it easy to carry around
  • Affordable paper refills
  • User-friendly app with plenty of customization options, like filters, frames, and text
  • Simple to use, just connect to your smartphone via Bluetooth and start printing

Cons of the HP Sprocket:

  • Print quality might not be as sharp as some other options
  • Limited paper capacity due to its small size
  • Prints are only 2×3 inches, which might be too small for some users

In conclusion, the HP Sprocket is a great option for those who value portability and a user-friendly app. Its compact size and affordability make it a popular choice among those who love to create and share keepsake photos. However, if you’re looking for high-quality prints, you might want to consider other options.

Buy your HP Sprocket HERE

 

Canon Ivy Mini Photo Printer Review:

The Canon Ivy Mini Photo Printer is a compact, Bluetooth-enabled printer that produces high-quality, vibrant color prints. Its design is stylish and fun, with the option to purchase clip-on accessories to personalize it.

One of the standout features of the Canon Ivy is its higher print quality, with more detail and sharpness compared to some other mini printers. The 2.1×3.4 inch print size is larger than some other options and is perfect for creating keepsake photos.

The Canon Ivy app is user-friendly and offers a variety of filters and frames to add to your prints. However, it doesn’t offer as many customization options as some other apps in the market.

Another potential downside of the Canon Ivy is its price point, with paper refills being more expensive compared to some other mini printers. The printer itself is also slightly larger and heavier than some other options, making it less pocket-friendly.

In conclusion, the Canon Ivy Mini Photo Printer is a great option for those who value high-quality prints and a fun design. Its larger print size and stylish design make it perfect for creating keepsake photos. Just be aware of its higher cost of consumables and slightly larger size.

Buy your Canon Ivy Mini HERE

Pros of the Canon Ivy Mini Photo Printer:

  • Small and portable design makes it easy to carry around
  • High-quality prints with bright and vivid colors
  • Can be used with both iOS and Android devices via Bluetooth
  • User-friendly app with plenty of customization options, like filters, frames, and text

Cons of the Canon Ivy Mini Photo Printer:

  • Refill paper is relatively expensive compared to some other options
  • Prints are only 2×2 inches, which might be too small for some users
  • App has limited customization options compared to some other mini printers

In conclusion, the Canon Ivy Mini Photo Printer is a great option for those who value high-quality prints and portability. Its small size and compatibility with both iOS and Android devices make it a popular choice among those who love to create and share keepsake photos. However, if you’re looking for an affordable option, you might want to consider other options.

Buy your Canon Ivy Mini HERE

 

Kodak Mini 3 Retro Printer Review:

The Kodak Mini 3 Retro is a mini color printer that stands out with its retro design. It produces high-quality, vibrant color prints, especially for photos with lots of detail. The compact size and affordable paper refills make it a great option for on-the-go printing.

One potential downside of the Kodak Mini 3 Retro is its app, which has some quirks and might not be as user-friendly as other options. The app also has limited customization options, with only basic filters and frames available.

Another potential issue with the Kodak Mini 3 Retro is its size, which is slightly larger and heavier than some other mini printers. This might make it less suitable for those who prioritize portability.

In conclusion, the Kodak Mini 3 Retro is a great option for those who value affordability and a cool retro design. Its high-quality prints and compact size make it perfect for on-the-go printing. Just be aware of its less user-friendly app and slightly larger size.

Buy your Kodak Mini 3 HERE

Pros of the Kodak Mini 3 Retro Printer:

  • Retro design gives it a cool and unique look
  • User-friendly app with plenty of customization options, like filters, frames, and text
  • High-quality prints with sharp details and vibrant colors
  • Comes with a rechargeable battery, making it convenient for on-the-go printing

Cons of the Kodak Mini 3 Retro Printer:

  • Relatively expensive compared to some other options
  • Prints are only 2.1×2.1 inches, which might be too small for some users
  • Limited paper capacity, making it unsuitable for high-volume printing

In conclusion, the Kodak Mini 3 Retro Printer is a great option for those who value high-quality prints and a unique retro design. Its user-friendly app and rechargeable battery make it a popular choice among those who love to create and share keepsake photos. However, if you’re looking for an affordable option or larger print size, you might want to consider other options.

Buy your Kodak Mini 3 HERE

 

Fujifilm Instax Mini Link Printer Review:

The Fujifilm Instax Mini Link is a compact and portable mini color printer that produces high-quality, vibrant color prints. Its user-friendly app offers a variety of filters and frames, making it fun and easy to add customization to your prints.

One of the standout features of the Fujifilm Instax Mini Link is its print quality, especially with portraits and close-ups. The prints come out clear and sharp, making them perfect for creating keepsake photos.

However, it’s important to note that paper refills for the Fujifilm Instax Mini Link are on the pricier side compared to some other mini printers. Additionally, the printer only produces 2.1×2.1 inch prints, which is a smaller size than some other options.

Another potential issue with the Fujifilm Instax Mini Link is that it doesn’t come with a rechargeable battery, so you have to purchase one separately. This might not be ideal for those who prioritize convenience.

In conclusion, the Fujifilm Instax Mini Link is a great option for those who value portability, a user-friendly app, and high-quality prints. Its compact size and fun customization options make it perfect for creating keepsake photos. Just be aware of its higher cost of consumables, limited print size, and the need to purchase a separate rechargeable battery.

Buy your Fujufilm Instax Mini HERE

Pros of the Fujifilm Instax Mini Link Printer:

  • High-quality prints with bright and vivid colors
  • Comes with a rechargeable battery, making it convenient for on-the-go printing
  • User-friendly app with plenty of customization options, like filters, frames, and text
  • Has a fun and interactive “Match Test” feature that allows you to test your compatibility with friends

Cons of the Fujifilm Instax Mini Link Printer:

  • Refill paper is relatively expensive compared to some other options
  • Prints are only 2×2 inches, which might be too small for some users
  • App has limited customization options compared to some other mini printers

In conclusion, the Fujifilm Instax Mini Link Printer is a great option for those who value high-quality prints and fun features. Its rechargeable battery and user-friendly app make it a popular choice among those who love to create and share keepsake photos. However, if you’re looking for an affordable option or a larger print size, you might want to consider other options.

Buy your Fujufilm Instax Mini HERE

 

Conclusion

In conclusion, the Fujifilm Instax Mini Link Printer is a great option for those who value high-quality prints and fun features. Its rechargeable battery and user-friendly app make it a popular choice among those who love to create and share keepsake photos. However, if you’re looking for an affordable option or a larger print size, you might want to consider other options.

Ultimately you have to make a choice in your given situation. Budget and style play a part. In my experience, most consumer-level printers are fine for occasional use such are months-long temporary exhibits or special events like openings or for school groups. But if you’re looking for a workhorse that cranks this stuff out every day, 10 hours a day, these printers may not be for you. There’s a whole world of industrial printers out there with brands that may be unfamiliar to the average consumer.

That said, before going all in on a workhorse with a set of big beefy hardware and big beefy prices, try one of these printers as your first iteration. Work out the kinks and get feedback from your visitors. You’ll then be ready to present a line item on the next budget with real numbers to back up your projected costs. Again, please feel free to share your journey here on MuseumTrade. You are so appreciated.

]]> https://museumtrade.org/customcat/comparing-mini-printers-for-use-in-museums/feed/ 0 15554 How Matt Construction is Building a Museum Using Augmented Reality. Yep Really. https://museumtrade.org/customcat/how-matt-construction-is-building-a-museum-using-augmented-reality-yep-really/ https://museumtrade.org/customcat/how-matt-construction-is-building-a-museum-using-augmented-reality-yep-really/#respond Mon, 06 Sep 2021 18:45:10 +0000 https://museumtrade.org/customcat/?p=12033 Hi Museum Folk,

I came across this and it blew my mind. I mean, in retrospect of course they are using augmented reality in building, but I hadn’t seen it yet. What makes this even more tangental to all of us is that Matt Construction is using it to build museums. Matt is a big supporter of museums, they’ve supported the Western Museums Association’s conference (WMA) for many years (back when we went to conferences, remember those days?).

What I’d like to see is more of this being used inside already constructed museums. Imagine if you could raise your hand and point to a skeleton and it would glad the T. rex in scales with color (all guesswork I realize), or point to the Starry Night and have an image of the original town scene laid over the painting (don’t hate me if the starry night was not painted from a real town, I’m just riffing here and don’t want to stop to do research). The list goes on an on.

I’m imaging you need a very strong wifi connection (which we don’t have), a grant to buy a bunch of these $400+ augmented reality goggles. A check out system to keep track of the goggles’ return. A whole educational component to train visitors on their use, a way of cleaning them post use. OH and let’s not forget all the original art, design, and educational content on the back end. My guess is that a year would be the right amount of time to devote to a handful of people. Maybe not all full-time on it, but there would be so a ton of deliverables that would need buy in.

The downside of course is people paying more attention to the goggles and not those in front of them. Have you seen this in use in a museum, how about your museum or gallery? Museum preparators, museum designers, art handlers, etc please help all of us by sharing what this looks like and its pros and cons and where you think all of this is going or is it just a fad. Also, how about the hardware, what are you using, what works, what had you wished you bought instead?

Keep up the great work everyone and enjoy the videos.

Matt

(no relation to the builder)

 

Goggles in use, omg cool (no audio btw)

 

Now that you’ve seen what it’s like to be behind the goggles, here’s the project requiring this kind of work:

Here’s the transcript if you can’t use volume right now:

At Matt Construction. We want to be the pioneers and moving technology forward. Overall, we are trying to achieve one thing, which is to build better buildings with great quality.

The type of project that Matt does tend to be more complicated. This project is difficult because every surface on it is round or spherical, and so conventional two dimensional drawings don’t work very well.

Every layer is curved in a different way. So looking at it 2D model will never give you the real way. This thing is going to look at the end. 3d models help us invasion what it is.

The use of augmented reality on this project is for location of the anchors for the ceiling panels inside the gap and theater.

What AR does is it doesn’t obstruct your vision. You’re seeing what you’re seeing, and it’s augmenting your vision with the virtual world. Everything’s on even up here. So this gives us the ability to see what we’re framing.

They are viewing the model through their goggles. So they literally see where the anchors are supposed to be, and they know whether they’ve got the anchor in the right spot in this particular theater. It’s a very, very important part of the layout to get right.

The Usability of AR has immense potential. We just have scratched the surface of it. And this is where Matt has a niche to help plants with those very unique situation. Unique buildings, unique architecture clients, architects. They love us for what we do and for being able to be a partner and not just say no, that’s not buildable. We want to build it for them. If they have come up with the design for it, people will be using this building for years. They will probably not remember who built it or who designed it, but they will enjoy it.

They will cherish the moment every time they step into this theater.

 

]]> https://museumtrade.org/customcat/how-matt-construction-is-building-a-museum-using-augmented-reality-yep-really/feed/ 0 12033 Live Dinosaurs Creep Through the Crowd. A Good Idea or Not? https://museumtrade.org/customcat/live-dinosaurs-creep-through-the-crowd-a-good-idea-or-not/ https://museumtrade.org/customcat/live-dinosaurs-creep-through-the-crowd-a-good-idea-or-not/#respond Thu, 18 Jun 2015 17:19:05 +0000 https://museumtrade.org/customcat/?p=6358 Having a little one at home changes you in so many ways.  Our son is 18 months and the fear that crosses his face when he sees one of us go under water in the pool is terrible to see and is like nothing else, so for now we avoid doing it.  Of course as time goes on we’ll try again and show him how fun it is.  In this video you’ll see some very fearful faces amongst the smiling ones.  Is the cool factor worth putting such fear into little ones?  Have you done something similar at your natural history museum?  Have you seen tamer ways of activating dinosaurs at other museums?  Send us your pictures and comments below and enjoy the video

[iframe id=”http://www.youtube.com/embed/FjYgboXIWGE?rel=0&autoplay=0&loop=0&wmode=opaque” mode=”normal”] ]]> https://museumtrade.org/customcat/live-dinosaurs-creep-through-the-crowd-a-good-idea-or-not/feed/ 0 6358 Mad for Math: The Museum of Science and Industry Chicago uses digital technology and nature’s own graphic language to teach visitors about math. https://museumtrade.org/customcat/mad-for-math-the-museum-of-science-and-industry-chicago-uses-digital-technology-and-natures-own-graphic-language-to-teach-visitors-about-math/ https://museumtrade.org/customcat/mad-for-math-the-museum-of-science-and-industry-chicago-uses-digital-technology-and-natures-own-graphic-language-to-teach-visitors-about-math/#respond Thu, 18 Jun 2015 16:55:33 +0000 https://museumtrade.org/customcat/?p=6347 We came across this article on the SEGD.org website about this neat exhibition.  I thought all of you might be able to gleam some inspiration from it.  Enjoy.

-MT-

When the Museum of Science and Industry Chicago conceived its latest permanent exhibit, the design brief was concise and non-negotiable: Create an artful and immersive way for visitors to explore the beauty of mathematical patterns found in nature.

And make it cool.

The museum and its exhibition planning and design team at Luci Creative wanted to approach this complex topic “softly” by creating a sense of wonder and excitement through fun and experiential activities, including interactives. “What we didn’t want was to hit museum guests over the head with complex equations and mathematical principles,” says Kevin Snow, creative director at Luci Creative. Adds AJ Goehle,director of strategy and design, “We wanted to create an exciting environment for guests to learn about math—without them being aware they’re learning about math!”

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The overall design aesthetic for the 7,500-sq.-ft. exhibit uses the Golden Ratio or Fibonacci sequencing in nearly all dimensionalities, as well as the essence of nature itself as a guiding visual statement.

“We wanted to illustrate the patterns in nature, teach guests how to see patterns that make up the natural and man-made environments and recognize that patterns are simply an expression of math. We wanted them to leave saying, ‘Math isn’t as scary as I thought it was, and it is everywhere!’” adds Snow.

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The museum staff knew that media and digital technology would be important tools for engaging visitors, so they added Leviathan, a Chicago-based conceptual design studio, to the team to create an immersive introductory film and 12 interactives.

“Our job was to figure out a new approach to visualizing these patterns that occur in the natural world—and show how they also occur in human bodies,” says Jason White,executive creative for Leviathan. Working in close collaboration with the MSI curatorial staff, the Leviathan team immersed themselves in spirals, da Vinci’s Golden Ratio, Voronoi patterns and fractal branching—all examples of how nature divides itself into finite, predictable patterns.

MSI staff had a technology “ask list” already developed, and it included the latest technologies like Kinect cameras and Leap motion sensors. At the very top of the list was an ultra-widescreen film experience that would reel visitors in as they entered the exhibit and prepare them for learning about these “Numbers in Nature.”

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The result is a curving, 25-ft.-long by 7-ft.-high immersive screen that delivers a compelling story in heart-stopping 4838×1400 resolution. Serving as the backbone of the exhibit, it introduces visitors to all of the mathematical patterns and creates a unique visual language that flows throughout the exhibit.

“Ultimately, we invented a new visual language based on MSI’s designs that is educational and fits all the patterns at the exhibit’s heart,” says White. “We helped design this system using white spiral, voronoi and fractal branching patterns that are superimposed over colorful footage of nature, the human body and architecture.” The film experience combines high-definition cinematography with motion graphics and visual effects, as well as an original score by Joel Corelitz of Waveplant.

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Luci Creative divided the exhibit into three major zones, including two galleries that introduce visitors to the math concepts and a mind-bending, 1,800-sq.-ft. mirror maze where visitors can actually step inside a three-dimensional pattern. The maze is a sea of equilateral triangular chambers that repeat in a dizzying array of mirrors (called a tessellation pattern).

“It was MSI’s idea to include the maze. We worked with them to develop the look and feel to reflect a forest of natural patterns, tree branches and a bit of fantasy,” says Goehle. An additional layer of experiential learning in the maze allows visitors to find hidden motion-triggered “Easter eggs” of additional math content, and a hidden room featuring displays of various physical math/geometry models made by artists from across the U.S.

In the interactives gallery, 12 stations invite deeper dives into the content. Visitors can virtually explore 3D spirals, Voronoi diagrams and other essential natural patterns by waving their hands or touching interactive screens. Combining analog controls such as knobs, wheels and blocks with touchscreens, Kinect cameras and Leap Motion sensors, Leviathan’s team created experiences that would appeal to both children and adults.

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One of the most complex interactives is called the Vitruvian Man. It is a digitally enhanced two-way mirror that lets visitors see if their proportions comply with da Vinci’s Golden Ratio. “When you look in the mirror, 3D cameras track your skeletal system in real time and measure your proportions, then you can compare that with the Golden Ratio,” says White. “People line up for this and they walk away with a real understanding of how these mathematical patterns work in their own bodies.”

The project posed some daunting technical challenges, says Leviathan creative director Bradon Webb. Rendering times for the HD film, for example, were “mind-boggling.” And calibrating content to interaction times and visitor throughput was a major factor in designing the interactive stations.

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Webb described the complexity of the interactives. “The Leap Motion installation features nine unique 3D objects that participants can rotate by moving their hands in space, while the Vitruvian Man activity uses a Pepper’s Ghost effect to display graphic information and proportions over a mirror reflection of your body’s image. We used a Kinect camera to track bodies and then dynamically draw lines with our real-time engine.”

Working with the MSI staff was an amazing and atypical experience for a team that is more frequently collaborating with major brands on product launches or entertainment acts on performances.

“First, to work on a permanent exhibit for the largest science museum in the Western Hemisphere was very cool,” says White. “But the best part was working so closely with a team of these extraordinarily smart individuals—PhDs who were always on hand to consult with us on the script or the fine details, or giving us pointers on how things should and shouldn’t be explained. When we got too design tech-y, they were there to root us in the mathematics.”

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NUMBERS IN NATURE

Location:  Museum of Science and Industry Chicago
Design Team: Luci Creative (exhibition design), Leviathan (film and interactives), Lightswitch (lighting design), Ravenswood Studios (exhibit fabrication), Harvest Moon Studio (exhibit script writing)
Photos: Museum of Science and Industry Chicago

CREDIT: https://segd.org/mad-math

]]> https://museumtrade.org/customcat/mad-for-math-the-museum-of-science-and-industry-chicago-uses-digital-technology-and-natures-own-graphic-language-to-teach-visitors-about-math/feed/ 0 6347