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	<title>large scale &#8211; Museum Trade</title>
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		<title>Cy Twombly&#8217;s Very Large TREATISE ON THE VEIL Being Installed in Time-Lapse</title>
		<link>https://museumtrade.org/Base1/cy-twomblys-very-large-treatise-on-the-veil-being-installed-in-time-lapse/</link>
					<comments>https://museumtrade.org/Base1/cy-twomblys-very-large-treatise-on-the-veil-being-installed-in-time-lapse/#respond</comments>
		
		<dc:creator><![CDATA[Adam Baker]]></dc:creator>
		<pubDate>Wed, 11 Nov 2015 00:49:13 +0000</pubDate>
				<category><![CDATA[Art De/Installation]]></category>
		<category><![CDATA[Preparator Culture]]></category>
		<category><![CDATA[large scale]]></category>
		<category><![CDATA[oversized]]></category>
		<category><![CDATA[time-lapse]]></category>
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					<description><![CDATA[The time-lapse format is always fun, but I think we can gain insight as well.  If you have an installation for an artists and you can prepare yourself by looking at a time-lapse of the or a typical piece from that artists, well I think you&#8217;ll feel a bit more confident and prepared.  You can [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7060</post-id>	</item>
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		<title>Founding of Industrial Scale Fabrication of Art, Donald Lippincott was a True Pioneer</title>
		<link>https://museumtrade.org/Base1/founding-of-industrial-scale-fabrication-of-art-donald-lippincott-was-a-true-pioneer/</link>
					<comments>https://museumtrade.org/Base1/founding-of-industrial-scale-fabrication-of-art-donald-lippincott-was-a-true-pioneer/#respond</comments>
		
		<dc:creator><![CDATA[Museum Trade]]></dc:creator>
		<pubDate>Sun, 08 Nov 2015 05:27:01 +0000</pubDate>
				<category><![CDATA[Art De/Installation]]></category>
		<category><![CDATA[Preparator Culture]]></category>
		<category><![CDATA[fabrication]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[large scale]]></category>
		<category><![CDATA[outdoor]]></category>
		<category><![CDATA[sculpture]]></category>
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					<description><![CDATA[Large Scale: Lippincott Inc. by Jonathan Lippincott Before Lippincott, Inc. was founded in 1966, artists had no natural industrial partner and no capacity to produce sculpture on an industrial scale. They had to fabricate their own pieces, working alone or perhaps with assistants or students, or turn to manufacturers with no experience producing artworks. Sculpture was [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7012</post-id>	</item>
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		<title>Andy Goldsworth&#8217;s BURNT PATCH time-lapse installation at the San Jose Museum of Art</title>
		<link>https://museumtrade.org/Base1/andy-goldsworths-burnt-patch-time-lapse-installation-at-the-san-jose-museum-of-art/</link>
					<comments>https://museumtrade.org/Base1/andy-goldsworths-burnt-patch-time-lapse-installation-at-the-san-jose-museum-of-art/#respond</comments>
		
		<dc:creator><![CDATA[Richard Karson]]></dc:creator>
		<pubDate>Wed, 28 Oct 2015 21:15:07 +0000</pubDate>
				<category><![CDATA[SJMA De/Installation]]></category>
		<category><![CDATA[large scale]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[site-specific]]></category>
		<category><![CDATA[time-lapse]]></category>
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					<description><![CDATA[If you&#8217;re a fan of Andy Goldsworthy you will love this video.  Notice how the install crew has to work their way out of the space and at the very last second has to drop the final sticks from the ledge.  Enjoy[vimeo id=&#8221;143917234&#8243; align=&#8221;center&#8221; mode=&#8221;lazyload-lightbox&#8221; autoplay=&#8221;no&#8221; parameters=&#8221;https://vimeo.com/user36073429/andrew goldsworth&#8217;s burnt patch time-lapse&#8221; grow=&#8221;yes&#8221;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">6956</post-id>	</item>
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		<title>Installing Raw Canvas Painting Using Hook and Loop</title>
		<link>https://museumtrade.org/Base1/installing-raw-canvas-painting-using-hook-and-loop/</link>
					<comments>https://museumtrade.org/Base1/installing-raw-canvas-painting-using-hook-and-loop/#comments</comments>
		
		<dc:creator><![CDATA[Matt Isble]]></dc:creator>
		<pubDate>Thu, 07 May 2015 21:49:26 +0000</pubDate>
				<category><![CDATA[Art Museum]]></category>
		<category><![CDATA[CAM De/Installation]]></category>
		<category><![CDATA[Crocker Art Museum]]></category>
		<category><![CDATA[De/Installation]]></category>
		<category><![CDATA[canvas]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[hook and loop]]></category>
		<category><![CDATA[large scale]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[velcro]]></category>
		<guid isPermaLink="false">http://museumtrade.org/Base1/?p=5720</guid>

					<description><![CDATA[As you can see from the pictures below, we were faced with a difficult installation.  This piece is meant to float up a bit on one of its legs.  This is and makes it very graceful, but what about defending against the “visitor touch?”  So we decided to start with what we called a shoe [&#8230;]]]></description>
		
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			<slash:comments>1</slash:comments>
		
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